Page 36 - September 20 2021 Fabian Collection of Chinese Paintings Art Bonhams NYC

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CHEN CHONGGUANG (1839-1896) Andrews, Julia Frances, Michael Knight, and Pauline Yao,《風雲際
Landscape after Huang Gongwang 會：從鴉片戰爭到「文革」（1840-1979）的中國繪畫》，亞洲藝術
Hanging scroll, ink and color on paper, inscribed by the artist and 博物館，李鐘文亞洲藝術文化中心，舊金山，加州，2000年，頁37
signed Chen Chongguang with two artist’s seals Ruomu and
Chen Chongguang. Exhibited/展覽:
59 x 15 1/2in (151 x 39.4cm) New Songs on Ancient Tunes, Honolulu Art Academy, Honolulu,
Hawaii, August 30-October 28, 2007.
$1,200 - 1,800
Between the Thunder and the Rain, Asian Art Museum Chong-Moon
陳崇光 仿黃公望山水 設色紙本 立軸 Lee Center for Asian Art and Culture, San Francisco, CA October 25,
2000-January 14, 2001
Provenance/來源: 《風雲際會：從鴉片戰爭到「文革」（1840-1979）的中國繪畫》，
Far East Fine Arts, San Francisco, California, 7 May 1988 亞洲藝術博物館，舊金山，加州，2000年10月25日至2001年1月14日
加州舊金山遠東藝術中心，1988年5月7日

Jiangsu Wenwu Shangdian (label to scroll head) Chen Chongguang was a well-known artist in Yangzhou in the late
軸頭附江蘇文物商店標籤 19th century. Many of his extant landscapes demonstrate the influence
of the late Ming/Early Qing monk artist Shitao. Chen Chongguang
Published/出版: had a major influence on Huang Binhong, and it is through Huang
Toda, Teisuke and Hiromitsu Ogawa comp. Comprehensive Illustrated Binhong’s writings that we learn much about the older artist’s life and
Catalogue of Chinese Paintings, Third Series, Volume 1: American and work. See Fu Shen Studies in Connoisseurship, Princeton, pp.338-
Canadian Collections, University of Tokyo Press, 2013, A50-97, p. 210 339, and Qiu Wen “Huang Binhong yu Chen Jo-mu” Yilin Conglu,
戶田禎佑、小川裕充，《中國繪畫總合圖錄》三編，第一卷，東京大 Hong Kong, 1966, vol 6, pp 274-281.
學出版會，東京，2013年，A50-97，頁210
本幅作者陳崇光於19世紀晚期畫名頗盛，為當時揚州大家之一。其傳
Little, Stephen, and J. May Lee Barrett. New Songs on Ancient Tunes: 世山水多有明末清初畫僧石濤之風。陳崇光對黃賓虹影響頗深，其晚
19th-20th Century Chinese Paintings and Calligraphy from the Richard 年行止作品亦可見於黃賓虹著述。另可參見傅申《沙可樂藏畫研究》
Fabian Collection. Honolulu: Honolulu Academy of Arts, ，普林斯頓，頁338-339，及裘溫〈黃賓虹與陳若木〉，《藝林叢
2007, pp. 154-155. 錄》，香港，1966，卷6，頁274-281.

Andrews, Julia Frances, Michael Knight, and Pauline Yao. Between the
Thunder and the Rain: Chinese Paintings from the Opium War Through
the Cultural Revolution, 1840-1979. San Francisco: Echo Rock
Ventures, in association with the Asian Art Museum Chong-Moon Lee
Center for Asian Art and Culture, 2000, p. 37

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