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REN YU (1853-1901) Little, Stephen, and J. May Lee Barrett. New Songs on Ancient Tunes:
Ink Landscape 19th-20th Century Chinese Paintings and Calligraphy from the Richard
Horizontal handscroll, ink on paper, inscribed by the artist, and signed Fabian Collection, Honolulu: Honolulu Academy of Arts,
Lifan Ren Yu, with an artist’s seal Lifan, with a collector’s seal to the 2007, pp. 364-365
outer titleslip Mo zhai. Little, Stephen, J. May Lee Barrett,《古調新歌:費立哲神父珍藏十九
7 1/2 x 41 1/4in (19.2 x 105cm) 及二十世紀中國書畫》,檀香山藝術博物館,夏威夷,
2007年,頁364-365
$3,000 - 5,000
Exhibited/展覽:
任預 仿元人山水 水墨紙本 手卷 Between the Thunder and the Rain, Asian Art Museum Chong-Moon
Lee Center for Asian Art and Culture, San Francisco, California,
Provenance/來源: October 25, 2000-January 14, 2001
Collection of Jung Ying Tsao (1929-2011) 《風雲際會:從鴉片戰爭到「文革」(1840-1979)的中國繪畫》,
曹仲英珍藏書畫 亞洲藝術博物館,舊金山,加州,2000年10月25日至2001年1月14日
Published/出版: New Songs on Ancient Tunes, Honolulu Art Academy, Honolulu,
Toda, Teisuke and Hiromitsu Ogawa comp. Comprehensive Illustrated Hawaii, August 30-October 28, 2007
Catalogue of Chinese Paintings, Third Series, Volume 1: American and 《古調新歌:費立哲神父珍藏十九及二十世紀中國書畫》,檀香山藝
Canadian Collections, University of Tokyo Press, 2013, 術博物館,夏威夷,2007年8月30日至10月28日
A50-03, pp. 185-186
戶田禎佑、小川裕充,《中國繪畫總合圖錄》三編,第一卷,東京大
學出版會,東京,2013年,A50-03,頁185-186 Ren Yu was from Xiaoshan (now Hangzhou), and used the courtesy
name Lifan. He was born into an artist’s family -- his father was the
Andrews, Julia Frances, Michael Knight, and Pauline Yao. Between the famous Shanghai School artist Ren Xiong (see lots 24, 25). Though
Thunder and the Rain: Chinese Paintings from the Opium War Through Ren Yu followed his father’s path, and became a talented painter
the Cultural Revolution, 1840-1979, San Francisco: Echo Rock himself, he never studied with his father as Ren Xiong passed away
Ventures, in association with the Asian Art Museum Chong-Moon Lee when Ren Yu was only four years old. He was a very versatile artist,
Center for Asian Art and Culture, 2000, pp. 62-63 who not only excelled at landscape painting, but also figures
Andrews, Julia Frances, Michael Knight, and Pauline Yao,《風雲際 (see lot 33), and flower and bird paintings.
會:從鴉片戰爭到「文革」(1840-1979)的中國繪畫》,亞洲藝
術博物館,李鐘文亞洲藝術文化中心,舊金山,加州,2000年,頁
62-63
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