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           REN YU (1853-1901)                                Little, Stephen, and J. May Lee Barrett. New Songs on Ancient Tunes:
           Ink Landscape                                     19th-20th Century Chinese Paintings and Calligraphy from the Richard
           Horizontal handscroll, ink on paper, inscribed by the artist, and signed   Fabian Collection, Honolulu: Honolulu Academy of Arts,
           Lifan Ren Yu, with an artist’s seal Lifan, with a collector’s seal to the   2007, pp. 364-365
           outer titleslip Mo zhai.                          Little, Stephen, J. May Lee Barrett,《古調新歌:費立哲神父珍藏十九
           7 1/2 x 41 1/4in (19.2 x 105cm)                   及二十世紀中國書畫》,檀香山藝術博物館,夏威夷,
                                                             2007年,頁364-365
           $3,000 - 5,000
                                                             Exhibited/展覽:
           任預 仿元人山水 水墨紙本 手卷                                  Between the Thunder and the Rain, Asian Art Museum Chong-Moon
                                                             Lee Center for Asian Art and Culture, San Francisco, California,
           Provenance/來源:                                    October 25, 2000-January 14, 2001
           Collection of Jung Ying Tsao (1929-2011)          《風雲際會:從鴉片戰爭到「文革」(1840-1979)的中國繪畫》,
           曹仲英珍藏書畫                                           亞洲藝術博物館,舊金山,加州,2000年10月25日至2001年1月14日

           Published/出版:                                     New Songs on Ancient Tunes, Honolulu Art Academy, Honolulu,
           Toda, Teisuke and Hiromitsu Ogawa comp. Comprehensive Illustrated   Hawaii, August 30-October 28, 2007
           Catalogue of Chinese Paintings, Third Series, Volume 1: American and   《古調新歌:費立哲神父珍藏十九及二十世紀中國書畫》,檀香山藝
           Canadian Collections, University of Tokyo Press, 2013,    術博物館,夏威夷,2007年8月30日至10月28日
           A50-03, pp. 185-186
           戶田禎佑、小川裕充,《中國繪畫總合圖錄》三編,第一卷,東京大
           學出版會,東京,2013年,A50-03,頁185-186                     Ren Yu was from Xiaoshan (now Hangzhou), and used the courtesy
                                                             name Lifan. He was born into an artist’s family -- his father was the
           Andrews, Julia Frances, Michael Knight, and Pauline Yao. Between the  famous Shanghai School artist Ren Xiong (see lots 24, 25). Though
           Thunder and the Rain: Chinese Paintings from the Opium War Through  Ren Yu followed his father’s path, and became a talented painter
           the Cultural Revolution, 1840-1979, San Francisco: Echo Rock   himself, he never studied with his father as Ren Xiong passed away
           Ventures, in association with the Asian Art Museum Chong-Moon Lee   when Ren Yu was only four years old. He was a very versatile artist,
           Center for Asian Art and Culture, 2000, pp. 62-63   who not only excelled at landscape painting, but also figures
           Andrews, Julia Frances, Michael Knight, and Pauline Yao,《風雲際  (see lot 33), and flower and bird paintings.
           會:從鴉片戰爭到「文革」(1840-1979)的中國繪畫》,亞洲藝
           術博物館,李鐘文亞洲藝術文化中心,舊金山,加州,2000年,頁
           62-63













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