Page 106 - Christie's Inidian and HImalayan Works of Art, March 2019
P. 106

PROPERTY FROM THE ESTATE OF H. SHABAS
          673
          A REPOUSSE GILT-BRONZE FIGURE OF TARA
          INNER MONGOLIA OR CHINA, LATE 18TH CENTURY
          15Ω in. (39.4 cm.) high
          $15,000-20,000

          PROVENANCE
          Private collection, California, acquired in Tianjin in 1928-29
          Thence by descent
          This  elegant  seated  fgure  of  Tara  exhibits  many
          characteristics  common  to  Buddhist  imagery  from  the
          Qianlong period (1736-1795), made in the lamaist workshops
          in and around Beijing.
          In the latter half of Qianlong’s reign, when the construction
          of  Buddhist  temples  and  the  associated  Buddhist  images
          reached its apogee, the use of repoussé, where thin metals
          are beaten rather than cast, became more prevalent in an
          efort to save materials and time. The artisans of the period
          quickly  mastered  the  process,  and  details  such  as  the
          ornately worked crown and fowers at the shoulders in the
          present fgure demonstrate the mastery of the technique.
          Compare  the  bodily  proportions,  the  repoussé  details  and
          the treatment of the lotus base of the present work with a
          Qianlong-period fgure of a bodhisattva sold at Christie’s
          New York on 16 September 2016, lot 1231.
          Himalayan Art Resources (himalayanart.org), item no. 24500.







































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