Page 74 - Christie's Inidian and HImalayan Works of Art, March 2019
P. 74

654
          A RED SANDSTONE FIGURE OF A MATRIKA
          CENTRAL INDIA, UTTAR PRADESH, 5TH-6TH CENTURY
          26º in. (66.7 cm.) high
          $40,000-60,000

          PROVENANCE
          Sotheby’s New York, 24 September 1997, lot 164
          Private collection, Japan









          This powerful fgure of a female goddess holding a small child possibly  iconography of the present fgure makes it impossible to identify which
          represents one of the matrikas, or mother goddesses. As female personifcations   matrika this fgure represents, although a lotus stalk might suggest Indrani,
          of  the  powers  of  male  Hindu  deities,  matrikas  were  initially  represented  as  the female personifcation of Indra.
          ferocious and dangerous, often shown eating children. In later traditions, they
          come to represent protective motherly deities, and based on the benevolent   The upright posture, wide hips, and treatment of the headdress demonstrate
          appearance of the present fgure, one may surmise it belongs to the more  the infuence of the earlier Mathuran style of the Kushan period (frst to fourth
          peaceful tradition. The goddess wears a wrapped headdress centered with a   century) on the developing Gupta style that arose in Central India in the fourth
          circular emblem suspending a beaded tassel. Her long locks of hair are shown   through seventh centuries. During this time, the more stif and schematic
          resting on her shoulders, and she is adorned with a large beaded necklace   modeling of the earlier Kushan period is slowly replaced with softer forms,
          and two diferent types of earrings. In her proper left hand, she holds a small   often  in  graceful  contrapposto. The present fgure, with its sensuous round
          child, who looks adoringly up at her face, and in her right hand she holds an   proportions  and  elaborate  treatment  of  the  hair,  perfectly  encapsulates  the
          unidentifed implement, possibly the stalk of a lotus blossom. The incomplete   nascent style of the Gupta period.


































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