Page 63 - Le Cong Tang Collection HK Nov 27 2017

fig. 1 Collection of the Palace Museum, Beijing
圖一 北京故宮博物院藏品

8007 Continued 盤呈菊瓣形，圈足。盤沿作四十八瓣，每一瓣戧金似孔雀羽毛的圓眼，
猶如孔雀開屏。盤心戧金勾勒一龍，其紋理疏密分明，穿梭於中央一
During the mid-Ming period, the combination of qiangjin and tianqi was 枝以戧金填漆而成的牡丹。足內髹深褐色漆，中描金「大明嘉靖年製」
employed for use on imperial lacquer, and the present dish is a good 直款。
example of the high quality of the works that were produced.
嘉靖一朝的官造漆器數量頗豐，但以雕漆為主，戧金填漆次之，而其
Two dishes of comparable size and identical design are known.The first, in 中工藝水品參差不齊，如此盤戧畫之精細者極其罕見，推測其必出自
the National Palace Museum,Taipei, was included in the exhibition, Carving 內廷技藝高超之人。
the Subtle Radiance of Colors: Treasured Lacquerware in the National Palace
Museum, 2007, p.104, no. 093.The second, in the Palace Museum, Beijing, 清宮舊藏兩件紋飾相同的菊瓣盤，一為台北故宮博物院藏品，見《和
is illustrated in Lacquer Wares of the Yuan and Ming Dynasties, the Complete 光剔采 – 故宮藏漆》，台北，2008 年，頁 104，圖版 93 號；另一藏
Collection of Treasures of the Palace Museum, Hong Kong, 2006, p. 201, 北京故宮博物院，見故宮博物院藏文物珍品全集《元明漆器》，香港，
no. 159 (fig. 1). 2006 年，頁 201，圖版 159 號（圖一）。

Another Jiajing-marked tianqi and qiangjin ‘dragon’ dish of the same form but 另可參考抱一齋舊藏一件盤心龍紋無牡丹的近似例，其曾於 1993 年展
without the peony branch from the Baoyizhai Collection, was included in 出於香港東方陶瓷學會暨中文大學文物館聯辦《中國漆藝二千年》一
the exhibition 2000 Years of Chinese Lacquer,The Oriental Ceramics Society 展，見展覽圖錄圖版 81 號，後於 2014 年 10 月 8 日於香港蘇富比拍賣，
of Hong Kong and the Art Gallery of the Chinese University of Hong 拍品 3217 號。
Kong, 1993, illustrated in the Catalogue, no. 81, and later sold at Sotheby’s
Hong Kong, 8 October 2014, lot 3217.

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