Page 16 - Nov. 27, 2019 Christie's Important Works of Art HK
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fig. 1 Collection of the Shanghai Museum
எӬ ӳᱡࢷ⁒㱦⻦
3004 Continued
Also known as jingping, meiping vessels were originally used as a wine ᢐ≡卿ࣥἃऒᛞ⏇㜮⊇卿᱁リᙻջ卿Ք♑Ǹ⣌≡ǹǯݯᇌ卿୬≡Ǹऑ
container, and first became popular in the Song dynasty. The meiping, ᇎԠཎۣսᢐԠ⍈㵓⏟♑ǹ卻ࣻᭆஇ㉓ԠヹⶬǶ㱀᱁䁗㊯≢Ƿ卼卿⩧
or ‘prunus vase’, was thought to be ideal vessel for displaying a single ᇑलᢐ≡ǯ݉ջᢐ≡卿㙁Ӭᘛջـ㧩★⧻Ԡᆨ卿Ῡ㙁߅㎒࣡㰍
prunus branch, for the narrow mouth of the vase provided a perfect
complement to the slender stem of the branch, see the discussion by ᡟ卿ᅠ۔⯍ᚺߝ卿㙊⩧ഭԻ᳖Ӳջ⚨ᢐ≡ᆨ߰Ԡఫ╲卿ᆴ㮮᳅㙭ǯ
Xu Zhiheng, Yinliuzhai shuoci [Remarks on Porcelain from the Studio of 㱇ᶕ㎒ᷪ卿৶ऑം卿⡿⒜㯝卿㎒⫒ᷪ卿㑷卿⒬ᄓᇤᯬỉ⒢
a Wine Lover]. The form of the Yuan meiping deviates from the slender
and elongated shape of that from the Song dynasty, developing into the ⡚ⰰǯംᶕᙼՙ㬪㞏卿㞏ⰰ⫐࣡卿ᵐᷪൈℱ卿㞏᭮⪝㫀⽔卿㬪ՙַ᭢ǯ
rounded and voluminous style. This style continued into the early Ming, ݥ⡠㱈ׁӳ⋓Ӵ༗卿ᆨᎰӲ⢑ㅛ㱈厍⫒㛑ս㫐ᆃ⡠㧿࣍Ⳟ⡠ӳӴ
and provided the prototype for the meiping form during the high Qing. ঈ卿ԋ㧿⥾ເ㪺⁍ԕஎ卿㫆㪾ݦ㯔ເ㪺ཌ㺩⩧⯯厎⭬㛑୨ភ⁍ԕ⏇㧷卿
The present vase is sturdily potted with the painting executed skilfully ៨⏟⦞卿㙄⣱Ӷ⢞厎Ӵ㛑㢶⡠ࣿ⸥≓⡠ἃ㱈卿⸥≓ݤភⱤӴௗ卿ᶊⅸ
and fluidly, and it has been unusually well preserved. The classic scrolls ݦ㿽卿⥾⊺᱁ᜩ卿㬪Ɽ⎉ⰰݱ㪿卿ӻظໄൃ卿㖅ἃཐǯ
on the shoulders and upper body, as well as the upright petals around
the base, are very similar to those found on a meiping in the Shanghai ݉㬪Ɽᢐ≡卿㙁Ǯ⫒⯝⭬㛑ԠӬॶ࣍Ⳟ⡠ㅛ㱈ࣿӴ㛑⸥≓⡠卿⯝ӳ
Museum, illustrated in Art of Yuan Blue-and white Porcelain, Shanghai, ᱡࢷ⁒㱦⻦⎐ᥑἃ⏟ַ卻ࣻǶᄂ⻤▵㞎Ƿ卿ӳᱡ卿 ჺ卿㮰
2012, pp. 84-85, no. 13. (fig .1) 卿எ 卼卻ॲː卼ǯᐽ⫒㛑Ꮢ⥾ເ㪺⁍ԕஎ卿⯝֗កஇ།ࢷ⁒
The ‘peacocks and peonies’ design is a classic repertoire of Chinese 㱦⻦㩛ᇪᬘ‰᳖⏻ཀ卻"SEFCJM 4ISJOF ݉ջ㬪Ɽເ㪺⡠⧉எᡪ⏟ַ卻ࣻ
porcelain design. Peacocks symbolise purity and noble character, while Ӳឦ㪏ᘨ厍Ƕԋ㘆ែԠԋஇ≢Ƿ***卿㲞ᳰԋᙔഌໝ卿 ჺ卿㮰
peonies are associated with wealth and auspiciousness. For a similar 卿எ " 㮰 卿எ " 卼卿Մἃ㥚۬卿Ի݉ջເ㪺⁍ԕஎᡪ
depiction of peacocks amid a peony scroll but in mirror image, compare
a Yuan blue and white jar in the National Museum of Iran Ardebil ⎏ᦔஎ❧ᅴǯເ㪺㎜ᇨ㵶㏟⡩ᷛ卿⁍ԕ༡ዪ༛㏟म▼卿⩧ײເ㪺⁍ԕஎ
Shrine, see Chinese porcelain collections in the Near East III, Hong Ꮀἃԋஇ۔⢴म▼எᡪ卿ԆᎰἃᚺԋឆᜀᇪ㤯᱁リ㊃⡠㱈ԠṜ㈩ǯ
Kong, 1981, p. 75, no. A24; p. 99, no. A24.
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