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PROPERTY OF A HONG KONG COLLECTOR                    These striking and rare cups display the great        of H.M. Knight, included in the exhibition
                                                     artistic and technical advances made at the           Oosterse Schatten. 4000 Jaar Aziatische Kunst,
A FINE AND RARE PAIR OF IRON-                        imperial kilns in Jingdezhen under the patronage      Rijksmuseum Museum, Amsterdam, 1954, cat.
RED ‘DRAGON’ CUPS                                    of the Yongzheng Emperor, which enabled               no. 382, was sold in our London rooms, 12th
MARKS AND PERIOD OF                                  craftsmen to produce small thinly potted wares        May 1970, lot 101; and a single cup from the
YONGZHENG                                            and decorate them with exquisitely detailed           collections of R.F.A. Riesco and Beatrice and
                                                     designs. While cups of this design were made          Henry Goldschmidt, was sold in our London
each finely potted with rounded sides rising         from the late Ming dynasty, the decorative            rooms, 11th December 1984, lot 372, and twice
steeply from a short foot to a slightly flared rim,  potential of iron-red was only fully grasped during   in these rooms, 13th November 1990, lot 30, and
the exterior enamelled in iron red with two five-    the Yongzheng reign. By creating a thin, opaque       27th April 1999, lot 436.
clawed dragons grasping for flaming pearls with      glaze craftsmen could render meticulous motifs,
outstretched talons, one with head turned back       such as dragons, which could not be achieved          For the prototype of this design, see a Jiajing
looking over its shoulder with the other striding    with other thicker and glassier enamels. Vessels      mark and period cup in the Huaihaitang
closely behind, all above turbulent waves cresting   that combined iron red with underglaze blue,          collection, included in the exhibition Enlightened
with foams, the mouth and foot with double-line      such as the present, required two firings as iron     Elegance. Imperial Porcelain of the Mid to Late
borders in underglaze blue, inscribed to the base    red had to be fired at a lower temperature than       Ming, Art Museum, The Chinese University
with a six-character reign mark within a double      underglaze blue. This second firing, known as         of Hong Kong, Hong Kong, 2012, cat. no. 76;
square                                               ‘muffled firing’ or petit feu, unavoidably increased  and a Longqing period example in the National
6.2 cm, 2⅜ in.                                       the cost and risk of failure.                         Palace Museum, Taipei, published in Illustrated
                                                                                                           Catalogue of Ming Dynasty Porcelain in the
PROVENANCE                                           A closely related pair of cups, from the Paul and     National Palace Museum, Tokyo, 1978, vol. III, pl.
                                                     Helen Bernat collection, now in the Museum            54.
Marchant, London.                                    of Fine Arts, Boston, is illustrated in Oriental
                                                     Ceramics. The World Great Collection, 1980,
LITERATURE                                           Tokyo, 1980, pl. 258; another from the collection

Marchant, Recent Acquisitions 2012. Important
Chinese Porcelain from Private Collections,
London, 2012, cat. no. 8.

HK$ 1,800,000-2,500,000
US$ 231,000-320,000

清雍正 白地礬紅雲龍戲珠紋盃一對
          《大清雍正年製》款

來源:
Marchant,倫敦

出版:
Marchant,《Recent Acquisitions 2012.
Important Chinese Porcelain from Private
Collections》,倫敦,2012年,編號8

      Marks

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