Page 19 - Bonhams UK Marsh Collection Art for the Literati November 2, 2022
P. 19

Lot 9, a large blue and white and   Chen Hongshou, Painted   Blue and White and underglaze red
                                        copper-red ‘virtuous aunt’ dish,    Album, image courtesy of the   dish, Kangxi, The British Museum,
                                        early Kangxi              Palace Museum, Beijing  London




           The figures in some porcelain paintings are exactly the same as those  Most of Shen Zhou’s landscape paintings are composed from a
           in literati paintings, and those of Chen Hongshou in particular were   horizontal-distance perspective, and the brushwork reflects his
           copied. Chen Hongshou often depicted ladies with large heads,   personality, moderate and well-rounded. From his paintings, we
           combining Tang and Song dynasty traditions of female figure painting  can see that the structure of the trees and rocks has something
           with popular and vernacular interest. His ladies have exaggerated   in common with the expression of trees and rocks in porcelain
           features, and Chen paid attention to gestures and emotion. The head  painting, often combined with luxuriant leaves and sparse branches.
           of the lady is always heavier than the body, and the chignon is piled   The branches and trunks are vigorous employing varied dots and
           up, while the lines of the dresses are simple and concise, and the   strokes to create a luxurious feel. The structural blocks of the rock
           decoration is elegant. In Lot 9, a large blue and white copper-red   have a strong sense of surface and three-dimensionality, and the
           ‘virtuous aunt’ dish, Kangxi, the features of the lady depicted are   arrangement is well-proportioned. The strokes and lines of different
           exactly the same as those depicted by Chen Hongshou. Another   lengths are used to show the richness and smoothness of the
           related dish can be seen in the British museum which proves the   mountain. It is similar to Lot 16, a rare blue and white ‘Master of the
           extensive influence of Chen Hongshou’s painting style on porcelain.  Rocks’ jar, Shunzhi/early Kangxi.





































           Lot 16, a rare blue and white ‘master of   Lot 16 (detail)  Shen Zhou, album leaf, image courtesy of the
           the rocks’ jar, Shunzhi/early Kangxi                      Palace Museum, Beijing.


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