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            A RARE SMALL FLAMBE-GLAZED MOONFLASK      清乾隆   窰變釉雙耳抱月瓶
            QIANLONG INCISED SEAL MARK AND PERIOD
                                                      《大清乾隆年製》款
            elegantly potted with a gently flattened spherical body
            surmounted by a slender cylindrical neck flanked by a pair of   來源
            ruyi handles, covered overall with a brilliant rich purple glaze
            with milky-blue and lavender streaks, the base glazed brown   胡惠春(1911-1995年)收藏
            and incised with a four-character seal mark  紐約蘇富比1996年3月26日,編號188
            Height 15.3 cm, 6 in.
                                                      出版
            PROVENANCE                                Helen D. Ling 及仇炎之,《暫得樓珍藏歷代
            Collection of J.M. Hu (1911-1995).        名瓷影譜》,卷4,香港,1950年,圖版192
            Sotheby’s New York, 26th March 1996, lot 188.
            LITERATURE
            Helen D. Ling and E.T. Chow, Collection of Chinese Ceramics
            from the Pavilion of Ephemeral Attainment, Hong Kong, 1950,
            vol. IV, pl. 192.
            ‡ £ 80,000-120,000


            Inspired by early Ming dynasty (1368-1644) flasks, this   British Museum, London, is illustrated in Soame Jenyns,
            piece is covered in a brilliant streaky glaze with attractive   Later Chinese Porcelain. The Ch’ing Dynasty, London,
            variegated hues of purple, crimson and milky blue. The   1951, pl. C, no. 1.
            striking flambé glaze was first developed at the imperial   The flattened form and compressed garlic mouth of
            kilns in Jingdezhen during the preceding Yongzheng   this flask appears to have been inspired by a rare type
            reign (r. 1723-1735), and was the result of experiments at   of porcelain flasks made in the Yongle period (r. 1403-
            reproducing the fabled Jun glazes of the Song dynasty   1424), which was itself modelled after Middle-Eastern
            (960-1279). By 1735, nine varieties of Jun-type glazes   metal prototypes. The design was revived in the Qianlong
            were being used at Jingdezhen, and 18th century   period, although examples are seldom found covered in
            scholars and connoisseurs considered the present type   monochrome glazes. A Qianlong mark and period flask
            to even surpass the original.
                                                      of this form and proportions, but painted in famille-rose
            Flasks of this form and glaze are very rare and no other   enamels with flowers against a pink sgraffiato ground,
            closely related example appears to have been published,   from the collection of Alfred Morrison, was sold in
            although a slightly smaller flambé flask of similar form,   Christie’s Hong Kong, 29th May 2007, lot 1376.
            but with a straight neck and lacking the reign mark, in the



























            mark


            22       Buyers are liable to pay both the hammer price (as estimated above) and the buyer’s premium together with any applicable taxes and Artist’s Resale Right (which will depend on the individual circumstances).    23
                     Refer to the Buying at Auction and VAT sections at the back of this catalogue for further information.
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