Page 8 - Sotheby's Imperial Chiense Porcelain Nov 4 2020 London
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            A RARE FAMILLE-ROSE ‘PEONY’ BOTTLE VASE   清乾隆   粉彩捷報富貴紋荸薺瓶
            QIANLONG SEAL MARK AND PERIOD
                                                      《大清乾隆年製》款
            the slightly compressed globular body rising from a short
            straight foot to a tall cylindrical neck, brightly and boldly
            enamelled around the exterior with a pair of butterflies
            hovering over blossoming peonies issuing from rockwork,
            the base with the six-character seal mark in underglaze blue
            Height 18.5 cm, 7¼ in.
            ‡ £ 50,000-70,000

            On this vase the eye is immediately drawn to the large
            peony blooms with petals and leaves delicately bending
            and twisting as if moved by a gentle breeze. Painted in
            vivid enamels against a pristine white porcelain ground,
            this motif represents the culmination of a painterly style
            that became popular in the Kangxi period (r. 1662-1722),
            and was refined under the Yongzheng (r. 1723-1735)
            and Qianlong emperors. These wares illustrate the
            influence that contemporary paintings on paper and
            silk had on porcelain, especially the works of the artist
            Yun Shouping (1633-1690), whose flower paintings in
            vivid and bold colours became very popular in the Qing
            dynasty. Yun’s influence on porcelain designs is evident
            in the rendering of petals with different shades as well as
            the twisted leaves. Compare for example a painting of
            peonies by Yun in the National Palace Museum, Taipei,
            published on the Museum’s website, accession no.
            K2A00123N000000002PAA.
            Vases of this design and unusual form are rare, although
            a closely related example in the Palace Museum, Beijing,
            is published in The Complete Collection of Treasures of
            the Palace Museum. Porcelains with Cloisonné Enamel
            Decoration and Famille Rose Decoration, Hong Kong,
            1999, pl. 89.




























            mark


            12       Buyers are liable to pay both the hammer price (as estimated above) and the buyer’s premium together with any applicable taxes and Artist’s Resale Right (which will depend on the individual circumstances).    13
                     Refer to the Buying at Auction and VAT sections at the back of this catalogue for further information.
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