Page 10 - Mounted Oriental Porcelain, The Getty Museum
P. 10

ACKNOWLEDGMENTS

















                          T      his catalogue twenty-two  entries.  The  collection  items formed  between  1972
                                             describes and
                                                         discusses thirty-two
                                                                                of mounted
                                                                                           porcelain
                                 arranged
                                         in
                                                                           was
                                                                                       was
                                                                       number
                                                                                           acquired
                                                                              21, which
                                                           of catalogue
                                     1991, with
                                                  exception
                                 and
                                               the
                      by J.  Paul  Getty  in  1953.  The  gilt-bronze  mounts  and  the  porcelain  that  they embellish
                      range in date from  circa  1665 to  1785.
                          Sir Francis Watson's  original introductory  essay has been retained, and  an  appendix,
                      glossary, bibliography, and index are provided. Edgar Harden has written catalogue entries
                      for five of the objects (catalogue nos. i, 8, 17, 20, and 22). Li He of the Asian Art Museum,
                      San  Francisco,  afforded  extensive  assistance  with  the  dating  and  description  of the  Chi-
                      nese porcelain.
                          The photographs  were taken  by Jack  Ross,  and  the  book  designed by Kurt Hauser.
                      The  production  of the  book  was  coordinated  by Anita  Keys. With  great  patience,  Nina
                      Banna  and  Dana  Gorbea-Leon  typed  and  retyped  the  manuscript,  which  was  edited  by
                      Shelly Kale.
                          I  would  like to  express  gratitude  for  help  of various  sorts  to  the  following: Stacey
                      Pierson, The Percival David Foundation  of Chinese Art, London; Roger Keverne, London;
                      Adrian Sassoon, London; Clare le Corbeiller, the Metropolitan  Museum of Art, New York;
                      Christian  Baulez, Musee  de  Versailles; Jean  Neree  Ronfort,  Paris; Jean  Dominique  Au-
                      garde, Paris; Anthony du Boulay, England; and Theodore Dell, New York.
                          I  would  also  like  to  thank  Charissa  Bremer-David,  associate  curator,  and  Jeffrey
                      Weaver, assistant curator,  of the  Getty Museum's  Department  of Decorative Arts for  their
                      help and  assistance.


                          Gillian Wilson
                          Curator  of Decorative Arts






















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