Page 8 - Mounted Oriental Porcelain, The Getty Museum
P. 8

FOREWORD

















                        T     [his catalogue  is a revised and  expanded  edition  of Mounted  Oriental  Porce-

                                                   Museum, which was published in 1982. Oriental por-
                               lain in the]. Paul Getty
                               celain with Parisian
                                                gilt-bronze
                                                                                 significant part of
                                                                              but
                                                                  forms
                                                          mounts
                                                                         small
                                                                       a
                    the  Getty Museum's  collection  of decorative arts. These objects provide tangible evidence
                    of cultural contact  in the eighteenth century between China  and Japan  and the West.
                        The  practice  of  embellishing  oriental  porcelain  with  silver  or  gilt-bronze  mounts
                    marks a period in history during which  a growing awareness of the Far East inspired taste
                    and  fashion  in  Europe.  Adorning  Chinese  and  Japanese  porcelain  with  European-made
                    mounts  familiarized and  elaborated  the  exotic,  adapting  it to  the character  of contempo-
                    rary French  interiors.
                        J. Paul Getty began collecting decorative arts in the  19305 but did not start to form a
                    collection of mounted porcelain until shortly before his death in  1976. Since then, the col-
                    lection  has  grown  considerably  under  the  sure  eye of Gillian Wilson, Curator  of  Decora-
                    tive  Arts,  whose  discrimination  is  evident  throughout  the  galleries.  This  book  and  the
                    other  catalogues  of her  collection  reflect  her  accomplishments;  to  her,  and  to  all who  as-
                    sisted  in the production of this volume, I express  my admiration  and  gratitude.


                        Deborah  Gribbon
                        Deputy Director  and  Chief  Curator
































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