Page 101 - Mounted Oriental Porcelain, The Getty Museum
P. 101

I 8.   B O W L




                                      THE PORCELAIN: Chinese (Yongzheng),  172,3-35
                                     THE GILT-BRONZE  MOUNTS: French, circa 1750-55
                                  1
                    HEIGHT:  I  ft.,  Z /! in. (36.9 cm);  WIDTH:  i ft.,  4% in. (41.2 cm);  DEPTH: n in. (27.9 cm)
                                                        72.01.42




             DESCRIPTION
            The  deep, thickly potted  oviform bowl has  a clear
        pale gray glaze, with  a fine dark gray crackle and a faint
        secondary golden crackle (fig. i8A). It is richly mounted
        around the rim and the foot with  scrolled, foliated, and
        pierced  gilt  bronze.  At  each  side a  tall  scrolling handle
        (fig. i SB)  of gilt-bronze  acanthus  leaves entwined  with
        flowers and berries links the rim to the foot, clasping the
        lower  part  of the  bowl  (fig. i8c).  The  foot  ring  of  the
        bowl  has  been  ground  down  to  accommodate  it  to  a
        tall, gilt-bronze base of scrolling acanthus that forms the
        four  feet  (fig. 180). It is pierced with  a band  of ovaloes.

            MARKS   None.


            COMMENTARY                                           FlG.  ISA
            A  cluster  of  berries  at  the  junction  of  the  handle
        and  the  bowl  is  missing  on  one  side.  The  porcelain  is
        cracked beneath one of the handles. Approximately half  larly  glazed vase, with  later  mounts,  is in  the  James  A.
        an  inch  of the  rim  has  been ground  away to  accommo-  de  Rothschild  Collection  at  Waddesdon  Manor,  En-
        date the upper  mount.                               gland. 2  A  similarly mounted  bowl  of  enameled  famille
            Monochrome   crackle porcelains  such  as this were  rose  porcelain  was  sold  in  Paris  in  1971. 3  The  mounts
        inspired by the classic Kuan and Ko wares of the twelfth-  of  all  these  vases  were  probably  made  by  the  same
        century  Song  dynasty.  The  celadon  glaze  was  applied  fondeur-ciseleur.
        over a black or dark gray body before the piece was fired  The  shape  of the  rim  mount  might  suggest at first
        in a reducing kiln; the variations in the crackle and glaze  sight that this  bowl was  originally lidded. The  shape of
        color  were  achieved by changes in  the  firing  cycle. The  the handles, however, makes it impossible to insert a lid.
        crackle  itself  is  due  to  a  difference  in  the  coefficient  of  Porcelaine  grise  is  very  rarely  mentioned  in  the
        expansion  between  the  body  and  the  glaze,  so  that  in  Livre-journal  of Lazare Duvaux,  and  most  of the  refer-
        cooling, the tensions created caused the cracks to appear.  ences  to  gray porcelain  are  clearly European;  however,
        This type of ceramic ware was accidentally  discovered  at  Madame  de Pompadour  brought  to the  shop for  repair
        the southern  Song kilns five hundred years earlier.  on June 12,1753: "Une... garniture  deporcelainegrise,
            A  porcelain  bowl  with  a  gray-crackled  glaze,  but  garnie  partie  en  or  &  partie  en  argent  dore  remise  a
       lacking  the  gilt-bronze  handles  and  the  mount  around  neuf."*  Such  rich  mounting  would  have  been  applied
       the  rim,  was formerly in the  Wrightsman  Collection  at  only to rare and highly prized Chinese porcelain.
                                                1
       the  Metropolitan  Museum  of Art,  New  York.  A  simi-



       88
   96   97   98   99   100   101   102   103   104   105   106