Page 106 - Mounted Oriental Porcelain, The Getty Museum
P. 106

19-   L I D D E D   POT




                             THE  PORCELAIN:  Chinese  (Kangxi), from  Dehua, circa  1670-1700
                                 THE  GILT-BRONZE  MOUNTS:  French (Paris), circa  1765-70
                                                                               J
                       HEIGHT:  9%  in.  (25.1 cm); WIDTH:  j% in.  (18.7 cm);  DEPTH:  6 / 4 in.  (15.9 cm)
                                                      78.01.359






            DESCRIPTION
            The hexagonal  molded  globular  body is composed
        of  six  shaped  panels  molded  in  low  relief  with  the fol-
        lowing scenes: the philosopher  Li Bai with  his wine jar;
        Confucius  in discussion  with Laozi (the reputed  founder
        of Daoism); a Tea Master  with  a boy who  fans the fire to
        boil water  for tea; a  scholar  with  a  boy attendant  who
        holds the chin, a stringed  instrument; a boy pointing  to
        the sun implying a wish that his master will achieve high
        rank;  and Confucius on his own.
            The  pot  is  clasped  at  each  side  by  a  gilt-bronze
        handle  formed  of  foliate  scrolls.  The  two  handles  are
        joined by a threaded  rod  extending the  full  width  of the
        interior of the pot, brazed to one handle and attached  to
        the other by means of a screw. The hexagonal foot of the
        vase is held  by a  deep gilt-bronze mount  around  which
        are repeating ovals enclosing cabochons.  This  in turn is
        clasped by six scrolled and foliate feet  at the  angles. The
        hexagonal  neck  of the  pot  is mounted  with  a  collar  of
        repeating ovaloes and clasped at four  of the corners by a  FIG. 19A.
        cluster of leaves; the two remaining corners are  mounted
        with  short  sprays  of leaves springing  from  the  handles
        (fig.  I9A). The  porcelain  lid, which  fits  into  the  collar  been  removed,  thus  converting  it  from  a  utensil  into  a
        mount,  is surmounted  by a gilt-bronze finial of pyrami-  purely decorative object  (fig. 196).
        dal form that supports a cluster  of berries held by scroll-  The  porcelain  lid  is  discolored  and  has  a  heavy
        ing acanthus leaves.                                 cracklelure;  the  corners  are  chipped.  Complete  blanc-
                                                             de-chine  teapots  of  this  type  are  known.  Unmounted
            MARKS                                            specimens  are to  be found  in the British Museum, Lon-
                                                                1
            The porcelain  lid is impressed with  an illegible seal  don  (fig. 190), at Hampton Court, England (once in the
                                                                                             2
        mark now covered by the gilt-bronze finial.          collection  of Queen  Mary,  1689-94),  and  at Blenheim
                                                             Palace,  England.  Another  is referred to  in the  inventory
            COMMENTARY                                       of white  tea  wares  belonging to  Augustus the  Strong of
            The  porcelain  pot  was  originally  a  lidded  teapot.  Saxony (1670-1733). The inventory was begun in  1721,
                                                                                                  3
        The  form  is identical  to  contemporary  metalwork ves-  and  the pot  is the first entry in this section.  A complete
        sels.  The  spout,  the  tall  arched  handle,  and  the finial,  wine  pot, with  an  early-eighteenth-century gilt-bronze
        probably  in  the  form  of  a  seated  Buddhist  lion,  have  addition  to the spout  and the lid attached  to the handle




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