Page 32 - Mounted Oriental Porcelain, The Getty Museum
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24.  Lunsingh Scheurleer 1980, fig. 16.              43.  See Daniel Alcouffe,  "The  Collection  of Cardinal  Maza-
        25.  For this and other  references to early mounted  porcelain  rin's Gems,"  Burlington  (September  1974), pp. 514-26.
           in England, see Yvonne Hackenbroch,  "Chinese  Porcelain  44.  Many  of these enamels are in the Palace Museum,  Taipei,
           in European  Silver Mounts,"  Connoisseur  (June 1955),  Taiwan,  and  are illustrated  in Catalogue of  Cloisonne
           pp. 22-29.                                           Enamels from  the Palace Museum  (Taipei, 1981).
        26.  Lunsingh Scheurleer 1980, fig. 6.               45.  "6 assiettes de bois verny avec du  cuivre emaile"  given by
        27.  Another  example  is a bowl  of Jiajing  date  (1522-66)  Constantine Phaulkon  to the  king.
           made for the Turkish market and acquired there by  46.  For example, Angran, vicomte de Fonspertuis, sale, Paris,
            Count  Eberhardt  von Manderscheidt  in 1583. He had  March  4,  1748, nos. 340-41, and Randon  de Boisset
           the  bowl mounted  as a chalice on a silver-gilt stem of  sale, Paris, 1777, nos. 861-62. In the former sale the
            German workmanship.  The Victoria  and Albert Museum  expert  Gersaint  describes such objects as  "cuivre emaille
           recently  acquired  it (Anna Somers-Cocks,  "Savoir  acheter:  aux Indes."  At the  beginning  of the reign  of the Yong-
           Un exemple du Victoria  & Albert,"  Connaissance des  zheng emperor  (r. 1723-35), the governor-general of
           arts  359 [January  1982], pp.  58-59).              Guangxi and Guangdong provinces requested that enam-
        28.  Such paintings are reproduced in Lunsingh Scheurleer  els which were then being sent in great numbers to far-
            1980, as are contemporary  examples  of blue-and-white  away countries be painted with the imperial reign mark
           porcelain  with  Dutch  mounts.                      so they might redound  to the prestige  of the  emperor's
        29.  The verses are by the poet Paul Scarron and are  quoted  reign. The request was sharply rejected, but the incident
           by Henry Havard, Dictionnaire de I'ameublement (Paris,  suggests a brisk export  trade in enamels, which,  at that
            1892), vol. n, col.  836.                           date, must have been largely with Europe  (see also Liu
        30.  Lane 1949-50.                                      Liang-yu, Chinese Enamel  Ware: Its History,  Authentica-
        31.  The Splendor  of  Dresden: Five Centuries of  Art  Collect-  tion, and Conservation  [Taipei,  1978]).
           ing, National  Gallery of Art, Washington,  D.C.,  1978.  47.  In the first half  of Louis xiv's reign, familiarity with  the
        32.  Even earlier than this, in 1664, Louis xiv had granted  a  silver furniture in the royal  palaces  and,  to some extent,
           patent  to Claude Reverend to establish  "une fabrique de  in the private houses of the nobility must have made
           porcelaine de  Chine aupres  de Paris,"  but  nothing is  the  use of silver mounts  for porcelain more acceptable
           known  of its productions.  They are unlikely to have been  than  it was later.
                               3
           of porcelain  (Archives de  art  frangais,  14 vols. [Paris,  48.  Julliot's  shop in the fashionable rue Saint-Honore was
                               I
            1851-60], vol. 6, p. 360).                          under the sign Aux  curieux des Indes to indicate  the
        33.  Quoted  by L. Dussieux, Le chateau de  Versailles,  2 vols.  nature of the wares in which he dealt. The catalogue of
            (Versailles, 1881), vol. i, p. 32.                  his stock  in trade sold by auction  after  his death in  1777
                                                                                      f
        34.  A good  description  of the Trianon  de Porcelaine is to  be  tells us that  he specialized in 'porcelaines,  anciennes,
           found  in H. Belevitch-Stankevitch, Le gout chinois en  modernes, nouvelles du Japon, de la Chine,  d'effets
                                                                 3
           France au temps  de Louis xiv (1910, reprint,  Geneva,  d  anciennes laques."
            1970). R. Davis, La premiere maison  royale de  Trianon  49.  Pierre Verlet, Le mobilier royal frangais,  4 vols. (Paris,
           (Paris n.d.) is a rare work  on the same subject.    i945) 5 vol. i»PP- 6-7-
        35.  Jules Guiffrey,  Inventaire general du mobilier de la cou-  50.  Nicolas Trigault [1577-1628], The  China That Was:
           ronne sous Louis  XIV, 2 vols.  (Paris, 1885-86), vol. i,  China as Discovered  by  the Jesuits  at the  Close of  the
           p. 32.                                               Sixteenth  Century, trans, from the Latin,  Louis-Joseph
        3 6.  The most  accessible account  of the  embassy, the events  Gallagher  (Milwaukee, 1942), p.  xix.
           leading up to its visit to France, and its consequences is  51.  The  Life  and  Times  of Anthony a Wood,  ed. Andrew
           to be found in H. Belevitch-Stankevitch, Le gout chinois  Clark  (Oxford, 1891-1900), vol. 3, p. 36.
           (1910/1970), pp. 10-48 and chap. n. The scene in  52.  An even more curious, if frivolous, instance of the  wish
           which  the "mandarins" in their  curious  conical  hats pros-  to interpret  Christianity  in Confucian terms,  quoted  by
           trated  themselves at the foot of the throne  was  sensational  Hugh Honour  (Chinoiserie: The  Vision of  Cathay  [Lon-
           and  is recorded  in several medals as well as in sculpture  don,  1973]), was the binding by Mournier  of a copy of
           and engravings.                                      the  1690 edition of De Imitatio  Christi by Thomas  a
        37.  General lists (not inventories) of the presents brought  for  Kempis. The entire surface  of the morocco  binding has
           the king and his family are given in Alexandre  Chaumont,  been embossed  with Old Testament figures dressed  in
           Relation  de I'ambassade  du  Mr  le chevalier de  Chaumont  Chinese costumes and  surrounded  by a landscape of
           a la cour du roy de Siam (Paris, 1686) and  are  reprinted  pagodas,  dragons,  and  dromedaries.
           by H. Belevitch-Stankevitch, Le gout chinois (1910/1970),  5 3.  Something of the  same sort, though  on a much smaller
           pp. 256-62.                                          scale, arose over French attitudes to the Inca kingdom of
        38.  It passed  briefly through the London  auction rooms some  Peru. Jean-Francois Marmontel in his novel Les Incas
           years ago and has since vanished  again.             (1777) drew a eulogistic picture of the government of that
        39.  Monseigneur  ordered special display cases built by Andre-  country largely based on the highly tendentious  account
           Charles Boulle for his porcelain  at Meudon.  For his  1687  given in Garcilaso de la Vega's Commentarios  reales que
           almanac  Gerard Jollain engraved a scene of the Enfants  tratan del origin de los Incas (1609), a translation of
           de France visiting Monseigneur's cabinet  to inspect  the  which  was published  in Paris  1633. But as the Inca  king-
           presents of the Siamese.                             dom had  been extinguished  for some two hundred years,
        40.  Abrege des memoires du journal  de Marquis  de Dangeau  it provided  a much less forceful  example than  the  still
           (Paris,  1817), vol. i, p. 250.                      powerful  empire of  China.
        41.  Martin  Lister, A Journey  to  Paris in the  Year  1698 (Lon-  54.  By curious chance, the first portrait  of her future husband
           don,  1699), pp. 37-38.                              that the Archduchess  Marie-Antoinette  saw before meet-
        42.  Diego Angulo Iniguez, Catdlogo de las alhajas  del  delfin  ing the future  Louis xvi in France showed him perform-
           (Madrid,  1954).                                     ing this ceremony. It is reproduced  in Philippe  Huisman



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