Page 37 - Mounted Oriental Porcelain, The Getty Museum
P. 37

FIG.  IB

             MARKS   None.                                        Given  their  unusual  design  the  mounts  on  these
                                                             bowls can be attributed to a known maker. Greyhounds
             COMMENTARY                                      of  the  same form  appear  on  the  silver-gilt mounts  of a
             One  leaf has  been lost from  the finial of one lid.  Chinese  blue-and-white  brush  holder  (circa  1630-40)
             A very similar pair of lidded bowls, said to be of por-  in  the  Victoria  and  Albert  Museum,  London. 2  These
        celain of the Kangxi dynasty (1662-1722) and mounted  mounts  date  to  about  1665-70  and  bear  the  maker's
        in neoclassical mounts probably of Viennese origin, is in  mark WH (for Wolfgang Howser)  above a cherub. The
        the  collection  of the  prince of Liechtenstein. 1  greyhounds reappear  on  the  silver-gilt handles  of a  red
            The  hinged  and  pinned  joints  on  the  mounts  of  glass bowl in Anglesey Abbey, Cambridgeshire, mounted
        these bowls were  a traditional  method  of attachment  in  as a two-handled cup and stamped with Howser's mark. 3
        early  metalwork.  They  remained  in  use  until  the  mid-  Another  hound  of  similar  form  with  its  tail  wrapped
        eighteenth century when they were superseded by screws,  around  its  body appears  on  the  handle  of a  silver ewer
        which  were  easily hidden  by the  curvilinear  features of  in  a  still  life  painted  by  Meiffren  Comte  (circa  1630-
        rococo mounts. The mounts are not cemented to the por-  1705) at the  Chateau  de Versailles. 4
        celain, as was the practice in Paris.                    Wolfgang  Howser  was  active  in  England  from
                                                             about 1660 to  168 8. A member of a Zurich  goldsmithing




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