Page 118 - Sotheby's Fine Chinese Art NYC September 2023
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The present album is a remarkable collection of jin   fabrics were used not only for important costumes but also
                                                                                                                                            fabric, showcasing fascinating examples of one of the   for decorations and furnishings. Designs such as bird and
                                                                                                                                            most precious and ingenious types of fabric in Chinese   flower, or playing children were particularly popular, see
                                                                                                                                            history. In modern understanding, jin refers to polychrome   examples of each design, illustrated in Gao Hanyu, Chinese
                                                                                                                                            compound weave fabric. Archaeological evidence suggests   Textile Designs, London, 1992, pls 42 and 43 respectively.
                                                                                                                                            that the history of manufacturing jin in China can be traced
                                                                                                                                            back to Western Zhou period (1045 B.C.–771 B.C.). During   Silks woven with writings from other Asian languages on
                                                                                                                                            the Han dynasty (202 B.C.–220 A.D.), jin, the most complex   Buddhist subject were also popular in Yuan dynasty. A
                                                                                                                                            and heaviest type of all weaves at the time, became a luxury.   closely related example with six Tibetan letters spelling out a
                                                                                                                                            According to Shiming (Explanation of Names) by Han scholar   Buddhist mantra brocaded in flat gilded paper on a red satin,
                                                                                                                                            Liu Xi (c. 220 A.D.), the character jin is composed of the two   is illustrated in Dieter Kuhn, op. cit., pl. 7.35, p. 365.
                                                                                                                                            characters gold (jin) and silk (bo), indicating its value was as   In the Ming dynasty, following the establishment of the Inner
                                                                                                                                            precious as gold.                         Weaving and Dyeing Services (Neizhiran ju) in Nanjing, the
                                                                                                                                                                                      silk industry centered around the Jiangnan region, Southern
                                                                                                                                            The album opens with some early examples of textiles.
                                                                                                                                            The design of the fragment of two Tang dynasty jin is an   China,  to produce elegant textiles. Due to the booming
                                                                                                                                            important physical documentation of the design influences   economy of the area, precious fabrics like jin became
                                                                                                                                                                                      relatively more affordable. Design with auspicious elements
                                                                                                                                            from Central or Western Asia at the time, see Dieter
                                                                                                                                            Kuhn, ed., Chinese Silks, New Haven & London, 2012, pls   become popular, compare examples illustrated in Dieter
                                                                                                                                            I.22 – I.27, pp 43-47.                    Kuhn, op. cit., pls 8.63 and 8.64. Compare also a closely
                                                                                                                                                                                      related example with lotus scroll on a dark blue ground, also
                                                                                                                                            During the Song and Yuan periods (960-1276), the   illustrated in Dieter Kuhn, op. cit., pl. 8.73.
                                                                                                                                            craftsmanship of silk making was highly developed, allowing
                                                                                                                                            jin of the period to be woven into a variety of patterns. These

















































           232     SOTHEBY’S        COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N11275                                                                                      AN IMPORTANT PRIVATE COLLECTION OF CHINESE TEXTILES  233
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