Page 160 - Sotheby's Fine Chinese Art NYC September 2023
P. 160

Fig. 1 An archaistic molded ru-type vase (fanglei), seal mark and period of
                                                                                                                                                           Yongzheng © Nanjing Museum, Nanjing
                                                                                                                                                           圖一 清雍正 仿汝釉方壘 《大清雍正年製》款 © 南京博物院,南京



                                                                                                                                            Brimming with elegance in both form and design, the   Vases of this imposing form and covered in Ru-type glaze
                                                                                                                                            present vase is a fine example of monochrome porcelain of   are extremely rare, although a closely related one is housed
                                                                                                                                            the Yongzheng period and alludes to the Emperor’s deep   in the Nanjing Museum, and illustrated in Gongting zhencang:
                                                                                                                                            appreciation and reverence for the past. While its luminous   Zhongguo Qingdai guanyao ciqi / Treasures in the Royalty:
                                                                                                                                            glaze features a subtle network of crackles in imitation of   the Official Kiln Porcelain of the Chinese Qing dynasty,
                                                                                                                                            the fabled Ru wares of the Northern Song dynasty, its form   Shanghai, 2003, p. 187 (fig. 1). The present vase also bears
                                                                                                                                            represents an adaptation of the archaic bronze fanglei   close similarity to a lei-form vase in the Palace Museum,
                                                                                                                                            shape. Pleasing to the eye, the gentle curves of this vase   Beijing, published in Kangxi. Yongzheng. Qianlong. Qing
                                                                                                                                            testify to the craftsmen’s ability to soften the somewhat   Porcelain from the Palace Museum Collection, Hong Kong,
                                                                                                                                            austere archaic bronze shape to suit the sophisticated taste   1989, pl. 88, and included in the joint exhibition Harmony and
                                                                                                                                            of the Yongzheng Emperor.                 Integrity. The Yongzheng Emperor and His Times, National
                                                                                                                                                                                      Palace Museum, Taipei, 2011, cat. no. II-60. Closely related
                                                                                                                                            Monochrome vessels required the highest level of skill   in form and size to the present vase, the Palace Museum
                                                                                                                                            and precision in every stage of their production, from   example is similarly decorated with molded horizontal bands
                                                                                                                                            the purity of the clay and precision of the potting to the   and mask handles to the sides, albeit covered in a brown
                                                                                                                                            evenness of the glaze and control of the firing. This was   wash against a Ge-type glaze.
                                                                                                                                            especially true for vessels of larger dimensions and covered
                                                                                                                                            in glazes made in imitation of celebrated Song dynasty   Compare two Yongzheng mark and period vases, the first
                                                                                                                                            wares. The Yongzheng Emperor was truly passionate of   similarly covered overall in a Ru-type glaze but in the more
                                                                                                                                            the understated, elegant Song ceramic wares, which he not   commonly found fanghu form of larger size, sold in our
                                                                                                                                            only collected but also commissioned the imperial kilns at   Hong Kong rooms, 26th November 1980, lot 366; the other
                                                                                                                                            Jingdezhen to reproduce and imitate.      covered in a Guan-type glaze with a molded chilong band to
                                                                                                                                                                                      the neck and protruding shoulders, sold at Christie’s Paris,
                                                                                                                                                                                      15th June 2005, lot 254.






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