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           A LARGE INCISED FAMILLE-VERTE BISCUIT     清光緒 約1889年   素三彩花卉暗刻龍紋大盤
           ‘FLORAL’ ‘CHUXIUGONG’ CHARGER
           QING DYNASTY, GUANGXU PERIOD, CIRCA 1889  《儲秀宮製》款
           the base with a four-character Chuxiugong zhi seal mark in   來源
           underglaze blue
           Diameter 18½ in., 47.2 cm                 Georg Weishaupt (1906-2004) 收藏,編號842
                                                     阿姆斯特丹蘇富比1995年10月16日,編號60
           PROVENANCE
                                                     展覽
           Collection of Georg Weishaupt (1906-2004), no. 842.   《Van keizerrijk tot volksrepubliek》,海牙市立美術館,
           Sotheby’s Amsterdam, 16th October 1995, lot 60.
                                                     海牙,1986年,編號39
           EXHIBITED                                 《From the Dragon’s Treasure: Chinese Porcelain from the
                                                     19th and 20th Centuries in the Weishaupt Collection》,
           Van keizerrijk tot volksrepubliek / From Empire to People’s
           Republic, Haags Gemeentemuseum, The Hague, 1986, cat.   應用藝術博物館,法蘭克福及装饰艺术博物馆,
           no. 39.                                   柏林,1987年,編號164
           From the Dragon’s Treasure: Chinese Porcelain from
           the 19th and 20th Centuries in the Weishaupt Collection,
           Museum für Kunsthandwerk, Frankfurt and Museum für
           Kunsthandwerk, Berlin, 1987, cat. no. 164.
           The Chuxiugong (Palace of Gathering Elegance) was one of
           the six Western palaces in the Forbidden City, favored by the
           Empress Dowager Cixi and her chief residence between 1856
           and 1885. Ronald W. Longsdorf in ‘The Tongzhi Imperial
           Wedding Porcelain’, Orientations, October 1996, p. 70, notes
           that Cixi had the palace refurbished on her 50th birthday
           in 1884 with luxurious objects of monumental size, many
           modeled after prototypes from the 18th century. The
           combination of incised dragons with flower and rockwork
           painted in yellow, green and aubergine enamels is derived
           from Kangxi period porcelains, such as a smaller dish in
           the National Palace Museum, Taipei (accession no. 故瓷
           004406N000000000).
           Only two other large ‘Chiuxiugong’ chargers of this design
           are known. The first, of the same size as the present
           example, in the collection of Simon Kwan, is illustrated in
           Imperial Porcelain of Late Qing, The Chinese University of
           Hong Kong, Hong Kong, 1983, cat. no. 96 and front cover.
           The second example, 64 cm in diameter, was sold at
           Christie’s New York, 13th September 2019, lot 1144.

           $ 20,000-30,000
























           142     SOTHEBY’S        COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N11275                                                                THE LEGACY OF CIXI. LATE QING PORCELAIN FROM THE BARBARA JEAN LEVY COLLECTION  143
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