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171
 A MOLDED SANCAI-GLAZED POTTERY
 PILGRIM’S FLASK
 TANG DYNASTY
 the flattened circular body resting on a spreading pedestal   173
 foot and rising to a waisted neck and oblong galleried rim,   A SANCAI AND BLUE-GLAZED POTTERY   Pottery and Porcelain, London, 1981, pp 40-41). The use of
 a pair of loop handles applied to the shoulders, each broad   TRIPOD DISH   supplementary motifs, contrasting glaze colors, and multiple
 side molded with a figure dancing with a sash atop a base     techniques allowed the potter a wide range of decorative
 and flanked by curling scrollwork, set within a lobed frame,   TANG DYNASTY  possibilities.
 all under vibrant splashes of green, amber, and cream   the shallow rounded sides rising to a flat everted rim and
 glazes, the base unglazed to reveal the buff body  resting on three short cabriole legs, the center impressed   A very similar dish is published in Regina Krahl, Chinese
 Height 6¼ in., 15.8 cm  with a cream, green, and amber-glazed hexalobed floral   Ceramics from the Meiyintang Collection, London, vol. 3, pt. I,
                                                               2006, pl. 1271. Another, with a plain green rim, was included
                     medallion with interlocking petals centering another stylized
 PROVENANCE          bloom, the details accentuated in cobalt blue, all against a   in the exhibition Spirit and Ritual: The Morse Collection
 Acquired prior to 2000.  splash-resist amber- and green-glazed ground, the base and   of Ancient Chinese Art, The Metropolitan Museum of Art,
                                                               New York, 1982, cat. no. 54. For examples sold at auction,
 Extant flasks molded with this dancing figure vary in glaze   legs unglazed showing the pinkish body  compare one sold in our London rooms, 1st-2nd April 1974,
 color and in the forms of the neck and foot. A similarly   Diameter 9½ in., 24 cm  lot 26, and again 10th June 1986, lot 3; or a slightly larger
 designed sancai-glazed flask with a punched ground and        example with an additional band of florets at the cavetto,
 floriform neck is in the collection of the Kunstmuseum Den   PROVENANCE  sold at Christie’s New York, 16th September 1999, lot 292.
 Haag, illustrated in Beatrice Jansen, Chinese Ceramiek,   Acquired prior to 2000.
 The Hague, 1976, pl. 49. Another was excavated at Ganjing,   The present dish combines decorative elements derived   $ 40,000-60,000
 Heyang County, and is now in the Heyang County Museum,   from contemporaneous textiles and metalwork. Margaret
 shown in Chen Anli, ed., Zhonghua guo bao: Tang sancai juan,   Medley notes that motifs like wax-resist dots, as seen on
 Xi’an, 1998, pl. 49. Compare also a green-glazed example,   the rim and cavetto, developed out of Central Asian textile   唐   三彩加藍寶相花紋三足盤
 illustrated in R.L. Hobson, The Catalogue of the George   techniques such as tie-and-dye silks and fabrics with wax-  來源:
 Eumorfopoulos Collection of Chinese, Korean, and Persian   stenciled resist designs, while the impressed flowerhead at
 Pottery and Porcelain, vol I, London, 1925, pl. 24, no. 162.   the center was inspired by chased silver (see Medley, T’ang   得於2000年之前

 $ 15,000-25,000
 171
 唐   三彩印樂舞圖扁壺

 來源:
 得於2000年之前

 172
 A RARE SANCAI-GLAZED POTTERY BOTTLE VASE
 TANG DYNASTY
 resting on a spreading conical foot and surmounted by a
 tall cylindrical neck flaring to a trumpet mouth, the ovoid
 body with amber-glazed floral-and-foliate appliques against
 a splash-resist green ground, the mouth with floriform
 splashes, the base unglazed to reveal the buff pinkish body
 Height 8 in., 20.4 cm
 PROVENANCE
 Acquired prior to 2000.
 A related vase, with three incised bow-string bands around
 the neck, is in the collection of the Tokyo National Museum,
 published in Sato Masahiko, et al., Ceramic Art of the World:
 Sui and T’ang Dynasties, vol. 11, Tokyo, 1976, pl. 43. See also
 one from the collection of Mr. and Mrs. Walter Sedgwick,
 included in the International Exhibition of Chinese Art,
 Royal Academy of Arts, London, 1935, cat. no. 2460, which
 features a ribbed molded neck.
 The result of Oxford Authentication Thermoluminescence
 test no. C121j55 is consistent with the dating of this lot.

 $ 20,000-30,000
 唐   三彩貼花瓶

 來源:
 得於2000年之前
 本品經牛津熱釋光檢測(編號C121j55),結果與其
 172
 年代相符

 244  SOTHEBY’S  COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10748  CHINESE CERAMICS: A PRIVATE COLLECTION  245
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