Page 46 - 2019 September 11th Bonhams Lewis Collection Japanese and Korean Art NYC
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           A POLYCHROME WOOD FIGURE OF FUDO MYO-O (ACALA)
           Muromachi period (1333-1573), 15th/16th century
           The figure shown seated cross-legged, modeled with the soft
           figure of a youth but with a stern facial expression, the upper and
           lower fangs protruding from the clenched mouth, a lotus crown
           adorning the figure’s head and the hair swept to one side in a braid
           down the left shoulder and gathered in a double lotus flower tie,
           a kurikara(Buddhist sword) held in the right hand and a weighted rope
           in the left (both later additions), the robes draped around his waist
           and over the left shoulder and decorated with dharma wheel, floral,
           and geometric patterns in gilt, the upper arms with bands gathered
           with chrysanthemum bosses, the eyes inlaid in reverse-painted
           crystal, set on a multi-tiered dais decorated with dharma wheels and
           roundels of four-pronged vajra punctuated by tightly scrolling vines
           in black and red lacquer on a gilt ground, the lowest register applied
           with gilt-copper fittings carved with vines
           12 3/4in (32.4cm) high (figure only); 23 5/8in (60cm) high overall
           $15,000 - 20,000

           Provenance
           René Guiette (1893-1976)
           Purchased from James B. Godfrey, New York, 1987

           For a similar but larger example of somewhat earlier date, compare
           the figure of Fudo attributed to Higo Jotei preserved in the Myo-o-in,
           Kamakura, as the only survivor of a set of five Myo-o and designated
           as an Important Cultural Property; see Kamakura Kokuhokan
           (Kamakura Museum of National Treasures), Tokubetsu ten Kamakura
           mikkyo (Special Exhibition of Esoteric Buddhist Art from Kamakura),
           2011, cover illustration. The Jotei figure is one of a group of late
           Heian- and early Kamakura-period figures of Fudo that set the deity’s
           iconography for centuries to come; the present lot, one of the finest
           images of the “Immovable One” in an American private collection,
           admirably preserves the ferocity of earlier prototypes while adding a
           sense of softness, appropriate to a smaller figure intended for private
           devotion.




















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