Page 49 - 2019 September 11th Bonhams Lewis Collection Japanese and Korean Art NYC
P. 49

557
           AKATSUKA JITOKU (1871-1936)
           An inlaid black-lacquer box and cover
           Meiji (1868-1912) or Taisho (1912-1926)
           era, early 20th century
           Of rectangular form with rounded corners
           tapering to the base, decorated with a
           continuous design of prunus in the manner
           of Ogata Korin, inlaid in mother-of-pearl with
           gold lacquer highlights and simulated pewter
           against a roiro-nuri ground, the interior
           nashiji, signed on the underside of the cover
           in gold lacquer Jitoku tsukuru (Made by
           Jitoku), the base nashiji, silver rims
           With a wood tomobako storage box bearing
           the label of Hayashi Kuhei, a leading Tokyo
           dealer and craft entrepreneur
           5 1/2 x 14 1/4 x 2 3/8in (13.9 x 10.7 x 6cm)
           $2,500 - 3,500

           Provenance
           Previously sold, these Rooms, March 19,
           2013, lot 2305                            557

           In common with many outstanding
           lacquerers and other craft specialists of
           his time, Akatsuka Jitoku’s education was
           broad-based. He started studying with the
           painter Kano Hisanobu—his first teacher—in
           1885, a year before he entered his father’s
           atelier and embarked on the arduous
           process of acquiring the vast range of skills
           required of an accomplished maki-e artist.
           Akatsuka’s superb, uncompromising lacquer
           technique and lively, flowing decorative style
           won him many commissions. The present lot,
           an unusual example of his work in the Rinpa
           style pioneered by the painter and lacquerer
           Ogata Korin (1658-1716), is likely to date
           from the earlier part of his career.


           558
           A METAL-INLAID LACQUER
           RYOSHIBAKO (DOCUMENT BOX)
           Meiji era (1868-1912), late 19th/early 20th
           century
           Rectangular with a slightly domed cover
           and decorated in iro-e takamaki-e against
           a roiro-nuri ground with a dynamic design
           of Musashibo Benkei (1155-1189) in the
           dress of a sohei (warrior monk) as he is
           about to confront Ushiwakamaru, the young
           Minamoto Yoshitsune (1159-1189) on Gojo
           Bridge, the fittings on his naginata (halberd)
           and tachi (slung sword) embellished with
           metal inlays, the interior decorated with
           Ushiwakamaru’s fan in inlaid silver on a
           nashiji ground
           12 1/2 x 10 1/2 x 6 7/8in (32 x 26 x 16.5cm)
           $6,000 - 8,000

           Provenance
           Purchased from Orientations Gallery, New
           York, 1988

                                                  558




                                                               PROPERTY FROM THE COLLECTION OF DRS. EDMUND AND JULIE LEWIS  |  47
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