Page 56 - 2019 September 11th Bonhams Lewis Collection Japanese and Korean Art NYC
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           568                                               569
           MORINO TAIMEI (1934-)                             MORINO TAIMEI (1934-)
           Glazed stoneware vase                             Rust red iron glazed jar
           Showa era (1926-1989), Circa 1980                 (Heisei era (1989-2019)
           Slab-built stoneware vase, perforated in linear arrangements, painted  Slab- built stoneware, painted in iron-red and black glaze
           on the surface and incised with concentric circles around each   13 1/4 x 12 1/4 x 6 3/4in (33.6 x 31.2 x 17.2cm)
           perforation
           13 1/2 x 9 3/4 x 5in (34.2 x 24.8 x 12.7cm)       $3,000 - 5,000

           $4,000 - 6,000                                    Provenance
                                                             Purchased from Japonesque, Inc., San Francisco
           Provenance:
           Dai Ichi Arts, Ltd., New York                     For information regarding this ceramic artist, please refer to the
                                                             preceding lot.
           Morino Taimei (also called Hiroaki) is one of the few surviving
           members of the post-war Kyoto ceramic avant-garde. After training in
           Kyoto with two traditionalist porcelain decorators, Tomimoto Kenkichi
           and Fujimoto Yoshimichi, in the 1960s he worked as a ceramic
           instructor at the University of Chicago, broadening his exposure to
           the latest international trends. Much of his work takes as its starting
           point the tradition of ceramic sculpture established in the 1950s by
           Yagi Kazuo and his Kyoto contemporaries. He employs slab- and
           hand-building techniques to construct vases and screens that
           combine an assured and distinctive contemporary abstract language
           with seasonal references and other motifs recalling traditional Kyoto
           crafts. Morino’s works are typically decorated with several layers of
           glaze, one of them with a high glass content that he sometimes uses
           to create a distinctive surface texture.



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