Page 60 - 2019 September 11th Bonhams Lewis Collection Japanese and Korean Art NYC
P. 60

572  W
                                                                              FUKAMI SUEHARU (1947-)
                                                                              Kei (Landscape II)
                                                                              Heisei era (1989-2019), 2000
                                                                              Pressure-slip-cast porcelain with pale blue
                                                                              glaze, on a granite base, incised underglaze
                                                                              signature S. Fukami 6/8
                                                                              65 1/4in (165.7cm) high (sculpture only),
                                                                              71 1/4in (180.9cm) high overall
                                                                              $50,000-70,000
                                                                              Provenance
                                                                              Purchased Japonesque, Inc., San Francisco,
                                                                              March 5, 2003

                                                                              This sculpture is number six from an edition
                                                                              of eight.

                                                                              Born into an artisan family that owned and
                                                                              operated a factory producing porcelain
                                                                              tablewares, from an early age Fukami
                                                                              Sueharu learned the importance of pursuing
                                                                              the highest standards in the selection
                                                                              of his materials, the thoroughness of his
                                                                              preparations, and the quality of his finished
                                                                              work. In his late twenties he started to
                                                                              specialize in his trademark combination of
                                                                              porcelain with a luminous seihaku (bluish-
                                                                              white) glaze inspired by wares made at the
                                                                              Jingdezhen kiln complex in China’s Jiangxi
                                                                              Province during the eleventh century, and
                                                                              from 1980 he started to explore the potential
                                                                              of high-pressure slip casting, which he
                                                                              employs to create large-scale works such as
                                                                              the present lot. By injecting liquid clay into
                                                                              a plaster mold under high pressure, using
                                                                              techniques whose details remain a closely
                                                                              guarded secret, he minimizes the risk of
                                                                              the finished work distorting during the firing
                                                                              process. Now a ceramic superstar, Fukami
                                                                              Sueharu is widely honored both in Japan and
                                                                              throughout the world for his serene, crisply
                                                                              modeled sculptures that are on view in major
                                                                              public collections of Japanese art across
                                                                              the United States and beyond. His mature
                                                                              abstract style embodies a contemporary
                                                                              global vision, yet also reflects a traditional
                                                                              Japanese disregard for the time and effort
                                                                              required to produce works of flawless beauty.














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