Page 154 - A Re-examination of Late Qing Dynasty Porcelain, 1850-1920 THESIS
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Mary wed her first cousin, William the Prince of Orange, in 1677.  This union resulted in

                   her being crowned the Joint Sovereign of Great Britain in 1689 alongside her husband,


                   the newly appointed William III.  Mary developed a distinct taste for porcelain, favoring

                   the blue-and-white style.  Blue-and-white porcelain was developed far earlier than her


                   rule, with the earliest known examples of this style occurring during the Tang dynasty

                   (618–907).  The wares were continually developed and improved due to technological


                   advancements in kiln firing.  In the Yuan dynasty (1279-1368), the application of cobalt

                   reached full development and by the Ming dynasty (1368–1644), blue-and-white


                   porcelain production had achieved near perfection.  The porcelain itself was thin and

                   finely potted, achieving a pure translucent white tonality.  These wares also exhibited


                   mastery in the application of a deep, vivid cobalt precisely painted to create intricate

                   designs on each vessel’s surface.  It was these Ming blue-and-white wares that first

                   traveled to a Western market and almost instantly developed a cult following among


                   society’s elite.  It is likely that Mary II first encountered blue-and-white porcelain while

                   living in Holland.  She resided in Holland for nearly 12 years prior to her marriage.  In


                   Holland, the successful Dutch East India Company steadily brought blue-and-white

                   porcelain into Amsterdam, exposing Mary II to the blue-and-white style.  Numerous


                   works from Mary II’s collection have survived.  A large pair of blue-and-white lidded

                   jars with covers exemplify her taste for these early Chinese porcelain wares (Figure 52).


                   This pair is marked by the remnants of a red wax seal containing the coat of arms of

                   Mary II and William III, documenting the provenance of each jar dated back to Mary’s


                   original collection.  Housed at one of Mary II’s homes, Hampton Court, the jars reflected

                   the blue-and-white aesthetic trend of the time.  Each jar has vivid cobalt decoration in



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