Page 156 - A Re-examination of Late Qing Dynasty Porcelain, 1850-1920 THESIS
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was idealized with lavish elements conveying a sense of royalty.  The painting showcases

                   a distinct garniture set of blue-and-white porcelain above the doorway, which Mary II


                   must have procured.  The painting provides evidence that the styles of porcelain that

                   Mary II collected were still utilized far beyond her reign and had become a standard by


                   which British royals understood Chinese porcelain.

                          Along with the blue-and-white porcelain found at Hampton Court, Mary II and


                   William III also collected porcelain for Kensington Palace, a home they purchased and

                   began remodeling in 1689.  Numerous visitors to Kensington Palace recorded their


                   perspectives on Mary’s extensive collection of blue- and-white porcelain.  Writer Daniel

                   Defoe (c.1660-1731) commented,


                          and here also a vast stock of fine china ware, the like whereof was not then to be
                          seen in England; the long gallery … was fill’d with this china, and every other
                          place, where it could be plac’d with advantage. 195

                   Mary II’s collection epitomizes an early British desire to collect Chinese porcelain in


                   large quantities, as indicated by Defoe’s description of the space.  Mary II continued to

                   collect Chinese porcelain until her death at the age of 32.  While she collected other


                   Asian wares, including Persian rugs and Japanese ceramics, it was her Chinese porcelain

                   collection that formed the core of the Asian holdings of the Royal Collection Trust.


                   Collections amassed by collectors like Mary II and Augustus the Strong marked what this

                   study considered the beginning of Western porcelain-collecting traditions.  The way in


                   which these objects were displayed within royal residencies created a sense of opulence

                   and abundance within the space.  This concept of display for a collection has continued in



                   195  Daniel Defoe, A Tour Through the While Island of Great Britain, ed. P.N. Furbank, W.R.
                   Owens, and A.J. Coulson (London: Yale University Press, 1991), 72.  Defoe’s work was first
                   published in three volumes between 1724-1726.


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