Page 198 - A Re-examination of Late Qing Dynasty Porcelain, 1850-1920 THESIS
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collector.  Each collection placed importance on the imperial production process that

                   required only the best porcelain to leave Jingdezhen.  By identifying these wares,


                   collectors were able to amass an imperial-caliber collection outside of the Forbidden

                   City.  The most prominent of these collections is the Sir Percival David Collection


                   housed within the British Museum.  Born on July 21, 1892, in Bombay, India, Percival

                   Victor David Ezekiel David became an avid connoisseur of Chinese porcelain. 252   Sir


                   Percival joined his father’s business, Sassoon J. David and Co. Ltd., which worked in

                   banking, textiles, and opium. 253   He first visited China for business in 1924, which began


                   a lifelong passion for collecting porcelain. 254   Few records from Sir Percival survive

                   detailing how and why he collected the porcelain that ultimately comprised his


                   collection. 255   Unlike other collectors of the era, Sir Percival combined his personal

                   aesthetic tastes with a thorough scholarly understanding.  Sir Percival studied Chinese

                   porcelain, amassing a large and thorough library on the subject.  He also studied Chinese


                   language and developed numerous contacts in China.  This academic background in

                   Chinese art history allowed Sir Percival to create a collection of porcelain that aligned


                   with the styles of the imperial collection within the Forbidden City.  Evidence of this

                   commitment can be found in Sir Percival’s published articles. The first article, written in


                   1929, discusses the identification of Yue wares.  Over his lifetime, Sir Percival published


                   252  S. H. Hansford, “Obituary: Sir Percival David,” Bulletin of the School of Oriental and African
                   Studies, University of London 28, no. 2 (1965): 472–75.
                   253  Jessica Harrison-Hall, “Whose Line Is It Anyway? Marks and Inscriptions on Chinese
                   Ceramics in the Sir Percival David Collection,” Orientations 40, no. 8 (2009): 63.
                   254  Anthony Lin Hua-Tien, “An Interview with Lady David,” Orientations 23, no. 4 (1992): 56.
                   255  For an examination of the full collection see Hobson, R. L. Catalogue of Chinese Pottery and
                   Porcelain in the Collection of Sir Percival David. London:  The Stourton Press, 1934.






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