Page 70 - A Re-examination of Late Qing Dynasty Porcelain, 1850-1920 THESIS
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remained intact to produce ceramics in China, with the most notable site still being the

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                   imperial kilns at Jingdezhen.   Part of the reason behind the slow production of porcelain

                   in this era was that the imperial kilns did not operate when the government did not

                   function properly.  Changes in government, such as the transitioning of rulers or political


                   turmoil, could result in the imperial kilns remaining predominately idle.  For example, the

                   Taiping Rebellion led to the destruction of parts of the imperial kilns in 1856.  This


                   destruction of the site resulted in Xianfeng being unable to produce the same amount of

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                   porcelain wares as the production achieved during the reign of previous rulers.   Despite

                   periods of slow production, the kilns appear to have created porcelain using the same

                   materials and skilled artisans as in prior reigns. This suggests that changes in emperors


                   had little effect on the actual merit of the imperial kilns. The transitional period between

                   rulers only affected the imagery and amount of porcelain being produced.


                          According to Tang Ying 唐英(1682–1756), the superintendent of the imperial

                   porcelain at Jingdezhen between 1728 and 1756, the process of creating porcelain was


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                   comprised of 20 distinct stages.   Under an edict from Qianlong, a series of paintings
                   depicting porcelain production was ordered.  The textual annotation of the production


                   process was formed by Tang around 1743.  The produced album known as the Taoye

                   tushuo 陶冶圖說 (Explanations of Illustrations of Ceramics), includes illustrations of


                   each stage of porcelain production along with textual explanations.   However, only the


                   text of the original album survives.  The surviving annotations have become the


                   56  Zhiyan Li and Wen Cheng, Chinese Pottery and Porcelain: Traditional Chinese Arts and
                   Culture (Beijing: Foreign Languages Press, 1984), 91.
                   57  Kwan, Imperial Porcelain of the Late Qing Dynasty, 20. The kilns would be rebuilt by Cao
                   Jingqing under the reign of Tongzhi in 1866. This would cost nearly 130,000 taels of silver.
                   58  Kwan, 21.

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