Page 95 - Reginald and Lena Palmer Collection EXHIBITION, Bonhams London Oct 25 to November 2 2021
P. 95

Carvings and images of boys riding hobby horses form part of the   Although cloisonné enamel examples of this design are rare, boys
           popular ‘Boys at play’ and ‘Hundred boys’ subjects which first emerged   on hobby horses can often be seen carved in jade, such as one,
           during the Song dynasty. This theme expresses the Confucian ideal   18th century, in the Metropolitan Museum of Art, New York (acc.
           for the education and advancement of many sons, a wish further   no.2015.500.5.14), and also painted on porcelain. See for example, the
           emphasised by the lotus motif (lian 蓮) decorating the boy’s clothing,   painting of children on a blue and white jar, Jiajing six-character mark
           which is a homophone of ‘continuous’ (lian 連) and creates the rebus   and of the period, illustrated in The Complete Collection of Treasures of
           ‘May you continuously give birth to sons’. As the boy is riding a hobby-  the Palace Museum: Blue and White Porcelain with Underglaze Red (II),
           horse, this conveys the further wish for it to come quickly as ‘To be on   Hong Kong, 2000, no.101.
           top of a horse’ (mashang 馬上) also means ‘immediately’.
                                                             Sir Harry Garner wrote that ‘human figures are not common in
                                                             cloisonné’. Although it was attributed to the late Ming dynasty in the
                                                             OCS Exhibition in 1957, it would now be dated to the early Qing
                                                             dynasty reign of the Kangxi Emperor. See a related cloisonné enamel
                                                             floor lamp decorated with a kneeling figure on its stand, early Qing
                                                             dynasty, in the Qing Court Collection, illustrated in The Complete
                                                             Collection of Treasures of the Palace Museum: Metal-bodied Enamel
                                                             Ware, Hong Kong, 2002, p.95, no.92.
































































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