Page 92 - Reginald and Lena Palmer Collection EXHIBITION, Bonhams London Oct 25 to November 2 2021
P. 92

Image courtesy of the Palace Museum, Beijing





           Although the present figure does not have a maker’s mark, stylistically   Little documentary evidence remains for He Chaozong apart from
           it closely resembles figures of Bodhidharma made by He Chaozong   extant examples of his ceramic art. A gazetteer entry for 1763
           (by tradition, living 1522-1612) considered to be one of the greatest   mentions him with other art notables of the Ming dynasty and
           master potters of Dehua. See for example, a very similar blanc-de-  establishes that the artist had earned a considerable reputation by
           Chine figure of Bodhidharma, He Chaozong mark, Ming dynasty, in   his own day. He Chaozong and the few other artists of the Dehua
           the Qing Court Collection, illustrated in Dehua Wares Collected by the   kilns, who mostly marked their work with their own seals rather than
           Palace Museum I, Beijing, 2016, pp.28-29, no.1.    reign marks, were nearly unique in Chinese ceramic history which was
                                                             characterised by anonymous and industrial scale production.
           He Chaozong was famous for creating figures of pure white clay with
           a creamy ‘ivory’-like glaze. By absorbing various techniques of clay   Bodhidharma or Damo in Chinese, was a monk of Indian origin who
           modelling, wood tooling and ivory carving, He Chaozong developed   travelled to China in the sixth century, and whose teachings became
           his own method which became known as the He School, famous for   the foundation of Chan (Zen) Buddhism. Damo is often depicted
           the exceptional fluidity of the flowing robes and water, the remarkable   standing barefoot on a reed leaf, representing the story when he
           finesse in the modelling of details such as fingers and toes and the   crossed the Yangtze river in this manner.
           beauty and serenity of the faces of the figures. Another very similar
           Damo figure with a ‘He Chaozong yin’ impressed mark, is in the Wang
           Xin Lou collection, illustrated in Blanc de Chine: Divine Images in
           Porcelain, New York, 2002, no.27.











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