Page 164 - Sothebys Fine Chinese Art London, November 2018
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           PROPERTY OF A GENTLEMAN                   Compare a similar huanghuali table in the Arthur M. Sackler
           A FINE ‘HUANGHUALI’ AND NANMU             Gallery, Smithsonian Institution, Washington D.C., placed in a
                                                     reconstruction of a 17th century scholar’s studio, illustrated
           CORNER-LEG TABLE                          in Sarah Handler, Austere Luminosity of Chinese Classical
           17TH/18TH CENTURY                         Furniture, Berkeley, 2001, p. 21, fig. 1.13; and two further tables
                                                     sold in these rooms, one attributed to the late Ming dynasty,
                                                     11th November 2015, lot 26, and the other, but smaller in size
           the panelled nanmu rectangular top supported on a straight
           waist and beaded apron, the elegant square-section legs   and attributed to the 18th century, 8th November 2017, lot 99.
           terminating in hoof feet                  ◉ W £ 60,000-80,000
           82 by 204 by 65.5 cm, 32¼ by 80½ by 25¾ in.
                                                     HK$ 610,000-815,000   US$ 77,500-104,000
           PROVENANCE
           Purchased from Albert Chan, Chan Shing Kee, 1982.
                                                     十七/十八世纪   黄花梨及红木条案
           A sense of refined grandeur is successfully captured by the
           minimalist form of this attractive table, supported by four   來源
           elegant square legs culminating at horse-hoof feet. This simple   於1982年購自香港陳勝記
           design also highlights the rich colour and attractive natural
           patterns of the grain of the wood. Long tables such as the
           present are known as tiaozhuo and would have been used in
           the scholar’s studio as its length and absence of stretchers
           would have made it suitable for sitting at for the creation and
           admiration of scroll paintings, while holding books, brush
           holders and other scholar’s objects.


















































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