Page 29 - Fine Asian Art, Bonhams San Francisco June 27, 2017
P. 29

8034  8035

8034                                                                       holding an alms bowl and pointing with two fingers in the main arms
A GILT COPPER ALLOY FIGURE OF THE MEDICINE BUDDHA                          outstretched in front of her while fifteen additional hands all held in
Qing dynasty, 18th/19th century                                            the karanamudra of expelling negativity flare out on either side; all
Identified by the myrobalan seed proffered by the figure’s right hand      raised upon a lotus petal plinth.
outstretched in the varadamudra of bestowal while the left, drilled        10 1/4in (26cm) high
for a now lost alms-bowl, rests in the figure’s lap upon his legs held
in the dhyanasana posture of meditation, all raised upon a double          US$2,500 - 4,000
plinth; the surfaces of the plinth and the figure’s attire highlighted in
gilt.                                                                      The sow’s head discreetly cast to the back of the figure’s head
6 3/8in (16.2cm) high                                                      identifies the deity as the Daoist ‘Dipper Mother’ or ‘Doumu,’ as well
                                                                           as highlights her relationship to the Buddhist Bodhisattva Marici. The
US$3,000 - 5,000                                                           Museum fur Ostasiatische Kunst has a lacquer statue of this deity
                                                                           with a similarly rendered head and expression dated to the Song
8035                                                                       dynasty. See as well the Dehua porcelain version in the collection
A CAST-BRONZE FIGURE OF DOUMU                                              of the Asian Art Museum of San Francisco which shares intriguing
Qing dynasty                                                               similarities in the rendering of the garments, as published in He Li,
The ‘Dipper Mother’ (also Doulao Yuanjun) depicted standing in             Chinese Ceramics: A New Comprehensive Survey from the Asian Art
flowing robes adorned in elaborate jewelry and in tassels highlighted      Museum of San Francisco (New York: Rizzoli International, 1996), pl.
in gilt, her calm expression surmounted by a tall top knot without         681.
ushnisha and reversed by two human faces and a sow’s head,

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