Page 106 - Imperial Sale Chinese Works of Art June 1 2016 HK

3237 清康熙 珊瑚紅地五彩九秋圖盌
雙方框「康熙御製」楷書款
AN IMPERIAL FAMILLE VERTE CORAL-GROUND
‘FLORAL’ BOWL 來源
巴黎佳士得，2007年12月7日，拍品141號
KANGXI YUZHI MARK IN UNDERGLAZE BLUE WITHIN A DOUBLE
SQUARE AND OF THE PERIOD (1662-1722) 此類五彩盌論風格及用色均仿效康熙磁胎畫琺瑯器，且底書
「康熙御製」而非一般康熙官窯器中常見的「康熙年製」，
The bowl is richly decorated to the exterior with blue and yellow 應是景德鎮御窯廠以內廷恭造的磁胎畫琺瑯器為藍本而燒製
peony blossoms encircling the foot, below a variety of exotic 的品種，並一直至雍正、乾隆、道光等各朝均有續燒此形制
blooms enamelled in aubergine, blue, yellow, iron-red and two 的盌。上海博物館有一件相同例子，著錄汪慶正編，1998年
shades of green, all against an even coral-red ground. The interior 香港出版《上海博物館藏康熙瓷圖錄》，圖版95號。北京故
is covered with a transparent glaze. 宮博物院亦有一例，見1989年香港出版《故宮珍藏康雍乾瓷
4 º in. (10.8 cm.) diam., box 器圖錄》，圖版87號。另可參考張永珍博士珍藏一對，2012
年10月9日於香港蘇富比拍賣，拍品122號。
HK$3,000,000-5,500,000 US$390,000-710,000

PROVENANCE

Sold at Christie’s Paris, 7 December 2007, lot 141

A Kangxi-marked bowl of this design in the Shanghai Museum is
illustrated in An exhibition of Chinese ceramics from the Collection of
the Shanghai Museum, Tokyo, 1984, p. 124, no. 92, and another from
the Charles Russell and Paul Bernat Collections, now in the Museum
of Fine Arts, Boston, by H. Moss, By Imperial Command, Hong Kong,
1976, pp. 81-2, pl. 74. Both show the imperial mark and several views of
the flowers. Moss goes on to note that Kangxi bowls of this type bear
yuzhi marks written in blue or pink enamel, apparently one of the few
instances where the Jingdezhen potters received specific instructions
as to the style of the underglaze-blue mark which was to appear on a
group of pieces made to imperial order.

A Kangxi-marked pair of bowls, formerly from the Edward T. Chow
Collection, now in the Tianminlou Foundation, is illustrated in Joined
Colors: Decoration and Meaning in Chinese Porcelain: Ceramics from
Collectors in the Min Chiu Society, Hong Kong, Hong Kong, 1993, p.
94, no. 23. See, also, an example in the Palace Museum, Beijing, in
Gugong cang zhuanshi ciqi zhenyan duibi lidai guyao zhibiao ben tulu, p.
192, no. 168, and another from the McElney Collection included in The
Inaugural Exhibition of the Museum of East Asian Art, Bath, 1993, vol. I,
no. 188.

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