Page 50 - Imperial Sale Chinese Works of Art June 1 2016 HK
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PROPERTY FROM AN IMPORTANT PRIVATE COLLECTION                     清雍正  仿木紋釉墨彩高士策杖圖筆筒
                                                                                                        單圈三行六字楷書款
    3213
                                                                      來源
    A FINE AND EXCEEDINGLY RARE FAUX BOIS                             香港蘇富比,1995年5月2日,拍品150號(封面)
                                                                      亞洲顯赫家族珍藏
    AND GRISAILLE-DECORATED ‘LANDSCAPE’                               香港蘇富比,2005年10月23日,拍品207號

    BRUSH POT                                                         展覽
                                                                      耶魯大學美術館,康涅狄格州,2009-2012年
    YONGZHENG SIX-CHARACTER MARK IN UNDERGLAZE BLUE                   納爾遜阿特金斯藝術博物館,密蘇里州,2013年
    WITHIN A CIRCLE AND OF THE PERIOD (1723-1735)
                                                                      著錄
    The brush pot is delicately painted in grisaille enamels with a   《香港蘇富比三十周年》,香港,2003年,編號164
    continuous landscape scene resembling a hand scroll depicting
    scholars in leisurely pursuits, one in his study seated inside a
    pavilion nestled among trees; two conversing on a promontory
    overlooking the river; the fourth figure resting underneath the
    canopy of a boat accompanied by his attendant, all between
    superbly enamelled faux bois borders extending to the interior
    and base reserving the countersunk mark inscribed with the reign
    mark in three columns.
    7 º in. (18.3 cm.) diam.

    Estimate on Request 估價待詢

    PROVENANCE

    Sold at Sotheby’s Hong Kong, 2 May 1995, lot 150, illustrated on
    the front cover
    A Distinguished Asian Family Collection
    Sold at Sotheby’s Hong Kong, 23 October 2005, lot 207

    EXHIBITED

    Yale University Art Gallery, Connecticut, 2009 – 2012
    Nelson-Atkins Museum of Art, Missouri, 2013

    LITERATURE

    Sotheby’s Thirty Years in Hong Kong: 1973-2003, Hong Kong, 2003,
    no. 164

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