Page 154 - Christies IMportant Chinese Art Sept 26 2020 NYC
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PROPERTY FROM A PRIVATE AMERICAN COLLECTION
          1615
          A VERY RARE MING-STYLE UNDERGLAZE-BLUE-
          DECORATED YELLOW-ENAMELED VASE, MEIPING
          QIANLONG SIX-CHARACTER SEAL MARK AND OF THE
          PERIOD (1736-1795)
          The superbly potted body is finely decorated in fifteenth-century style   The inspiration for this shape and pattern originates from meiping
          simulating 'heaping and piling' in rich tones of underglaze blue, with   produced during the early Ming period, such as the Yongle-period blue
          alternating registers of fruiting peach, pomegranate and lychees and   and white vase and cover decorated with flowering and fruiting sprays
          flowering leafy branches of peony, prunus and chrysanthemum, the   in the Palace Museum, Beijing, which is illustrated in The Complete
          end of each branch issuing from a sprig of lingzhi fungus. All are above   Collection of Treasures of the Palace Museum - 34 - Blue and White
          a band of upright leaf tips and below a band of petal lappets radiating   Porcelain with Underglazed Red (I), Hong Kong, 2000, p. 32, no. 30.
          from the base of the waisted neck decorated with four small foliate
          sprays, all within blue line borders, and reserved on a bright yellow   The combination of yellow enamel with underglaze blue decoration
          enamel ground.                                 originated in the Xuande period: see, for example, a large dish decorated
                                                         with a peony spray in the center and fruiting sprays in the cavetto,
          12√ in. (32.8 cm.) high
                                                         illustrated in Imperial Porcelain of the Yongle and Xuande Periods
                                                         Excavated from the Site of the Ming Imperial Factory at Jingdezhen, Hong
          $300,000-500,000
                                                         Kong, 1989, pp. 278-79, no. 98. The popularity of the yellow and blue
                                                         decoration continued into the Qing dynasty, where its use was extended
          PROVENANCE:
          Paul Kollsman (1900-1982) Collection, New York and Beverly Hills,   to more elaborate vessel forms, including meiping, tianqiuping and
          formed in the 1940s.                           faceted vases.
          Sotheby's New York, 23-24 March 1998, lot 674.

          清乾隆 黃地青花折枝花果紋梅瓶 六字篆書款












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           Portrait of Paul Kollsman © National Air and Space Museum





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