Page 169 - Christies IMportant Chinese Art Sept 26 2020 NYC
P. 169

ANOTHER PROPERTY
                   1619
                   A YELLOW-GROUND KESI INFORMAL ROBE
                                                                The classical tailoring of the current robe with its narrow and layered
                   GUANGXU PERIOD (1875-1908)
                                                                sleeves and wide borders, as well as the decoration, are typical of the
                   The yellow silk robe is finely worked with gold shou characters and   fashions worn by Manchu noblewomen associated with the court
                   clusters of bamboo in shades of blue, all within black borders similarly   of the Dowager Empress Cixi. Robes associated with the Dowager
                   decorated, and with black satin trimmings. The blue silk lining is   Empress are often decorated with auspicious symbols such as the
                   decorated with bats, peonies, and double-peaches.   shou characters seen on the present robe. The present robe has
                   47 in. (119.3 cm.) long x 57º (145.6 cm.) wide  the additional decoration of bamboo, zhu, which is also associated
                                                                with longevity because of its durability; it is also a homophone for
                     $18,000-25,000                             'congratulate'.
                   清光緒 黃地緙絲團壽竹紋氅衣                               A yellow-ground robe similarly decorated with gold shou characters,
                                                                but with the addition of peonies, that once belonged to Dowager
                                                                Empress Cixi, is in the collection of the Palace Museum, Beijing,
                                                                and is illustred in Yan Yong and Fang Hongjun, ed., The Splendors of
                                                                Imperial Costume: Qing Court Attire from the Beijing Palace Museum,
                                                                Beijing, pp. 118-19, no. 81.
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