Page 29 - Christies IMportant Chinese Art Sept 26 2020 NYC
P. 29

PROPERTY FROM AN IMPORTANT PRIVATE ASIAN COLLECTION
                   1511
                   THREE BRONZE BELLS, ZHONG
                   LATE SPRING AND AUTUMN PERIOD, 6TH-5TH CENTURY BC
                   Each is finely cast with bands of bosses formed by coiled serpents   Music was of great importance in the court life of ancient China,
                   above a broad taotie band and surmounted by an inverted U-shaped   and depictions of musicians playing instruments, both string and
                   handle cast with cowrie shells emerging from the mouths of recumbent   percussion, can be seen in wood and pottery figures from the
                   mythical beasts.                                Han through the Tang dynasty, and as decoration on bronzes of
                   9º in. (23.5 cm.), 7æ in. (19.7 cm.), 7¿ (18 cm.) high, stand  (3)  Eastern Zhou date. A set of wood musicians with stringed and wind
                                                                   instruments from the 2nd century BC tomb at Mawangdui, Changsha,
                                                                   Hunan province, is illustrated in Music in the Age of Confucius,
                   $40,000-60,000
                                                                   J. So (ed.), Freer Gallery of Art and Arthur M. Sackler Gallery,
                                                                   Washington DC, 2000, p. 19, fig. 1.6. Figures shown playing a set of
                   PROVENANCE:
                   Acquired in Hong Kong, 1992.                    bells and stone chimes is shown in a reproduction of decoration on
                                                                   a bronzehu from Baihuatan, Chengdu, Sichuan province, p. 20, fig.
                                                                   1.7. With the discovery in 1977 of the tomb of the Marquis Yi of Zeng,
                   春秋晚期 青銅盤龍紋獸鈕鐘一組三件
                                                                   which contained an intact set of sixty-five bells, as well as a set of
                                                                   stone chimes, similar to those shown on the hu, far more has been
                                                                   learned about the importance and use of bells in ancient China. As
                   Bells of this type were made in graduated sizes to form a set or   R. Bagley states in his chapter on percussion, ibid, pp. 35-63, "no
                   'chime'. Each bell when struck on two different locations at the mouth,   other instrument tells us so much about musical performance, music
                   emitted two different tones.                    theory, and acoustic technology". He goes on to point out that "sets of
                                                                   bells were both aurally and visually the most prominent instruments
                                                                   of musical ensembles" in ancient China, but outside of China were
                                                                   unknown.
















































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