Page 31 - Christies IMportant Chinese Art Sept 26 2020 NYC
P. 31

PROPERTY FROM AN IMPORTANT PRIVATE ASIAN
                 COLLECTION
                 1512
                 A RARE BRONZE RITUAL WINE
                 VESSEL, HU
                 SPRING AND AUTUMN PERIOD, LATE
                 6TH-EARLY 5TH CENTURY BC
                 The vessel is raised on a ring foot cast in
                 imitation of twisted rope, and has a globular
                 lower body that tapers to a cylindrical neck
                 angled to one side. The body and neck are
                 cast with four bands of dense interlocking
                 scroll pattern, and one side is set with an
                 ear-shaped handle connected by a link chain
                 to the cover cast as a bird with raised head
                 and hinged beak above the feet which grasp
                 serpents.
                 12æ in. (32.3 cm.) high
                 $80,000-120,000
                 PROVENANCE:
                 Acquired in Hong Kong, 1990.

                 According to Jenny So in Eastern Zhou
                 Ritual Bronzes from the Arthur M. Sackler
                 Collections, vol. III, The Arthur M. Sackler
                 Foundation, Washington, D.C., 1995, p. 237,
                 hu of this type were made from the end of
                 the eighth century BC and disappeared by
                 the early fifth century BC. So discusses the
                 evolution of the shape during that period
                 and illustrates a number of hu to document
                 the changes, pp. 238-241, figs. 39.1 to 39.6.
                 One of these, fig. 39.5, from Shanxi Taiyuan
                 Jinshengcun M251, which is dated late 6th-
                 early 5th century BC, is most similar to the
                 present vessel. Like the present hu, there are
                 bands of dense scroll decoration around the
                 body and a bird with hinged beak forms the
                 cover. The handle, however, is in the shape
                 of the arched body of a mythical beast. The
                 author also notes, p. 237, a similar hu in the
                 Seligman collection, illustrated by William
                 Watson in Ancient Chinese Bronzes, London,
                 1962, pl. 77a. Like the present vessel, the
                 Seligman hu has a ring foot patterned to
                 imitate rope twist, and has similar bands of
                 flat-cast decoration, but only three instead
                 of four. The cover is also in the shape of a
                 seated bird with hinged beak. Another very
                 similar hu in the Meiyintang Collection is
                 illustrated by Christian Deydier in Chinese
                 Bronzes from the Meiyintang Collection, vol.
                 1, Hong Kong, 2013, pp. 70-71, pl. 40, which
                 is dated circa 6th century BC. Unlike the
                 beak of the bird on the present hu, the beak
                 of the bird on the Meiyintang vessel is not
                 hinged. See, also, the similar hu in the Musée
                 Cernuschi, Paris, illustrated by Christian
                 Deydier, Les Bronzes Chinois, Paris, 1980,
                 p. 230, pl. 94, which is similarly dated 6th
                 century BC.


                 春秋 青銅鳥首匏形壺






                                                                                                              29
   26   27   28   29   30   31   32   33   34   35   36