Page 35 - Christies IMportant Chinese Art Sept 26 2020 NYC
P. 35

PROPERTY FROM AN IMPORTANT PRIVATE ASIAN COLLECTION
                   1516
                   AN UNUSUAL BRONZE BOTTLE-FORM VESSEL, HU
                   HAN DYNASTY (206 BC-AD 220)
                   The hu is decorated overall with various decorative bands, including   Both the shape and decoration of this vase are quite unusual. Similar
                   three wide bands of feathers on the neck, and there are two slightly   bands of engraved decoration that include feathers, sawtooth, criss-
                   concave bands encircling the shoulder. The bronze has blue-green   cross and diamond pattern, can be seen on the sides of a bronze
                   encrustation.                                   scoop with dragon-head handle dated Western Han, excavated in
                                                                   1971 from the Wangniuling M1, Hepu, Guangxi Zhuang Autonomous
                   11æ in. (28.8 cm.) high
                                                                   Region and illustrated in Ou Luo Yicui: Guangxi Baiyue Wenhua
                                                                   Wenwu Jingpinyi, Beijing, 2006, pp. 121-23. A similar diamond pattern
                   $15,000-25,000
                                                                   can also be seen on a wide band that decorates the sides of a stem
                                                                   cup, dated Eastern Han, which was excavated in 1955, Guixian
                   PROVENANCE:
                   Acquired in Hong Kong, 1990.                    Railway Station M74, Guangxi Zhuang Autonomous Region, and is
                                                                   illustrated ibid., p. 167. This stem cup is also illustrated by Zhixian
                                                                   Jason Sun, Age of Empires: Art of the Qin and Han Dynasties, The
                   漢 青銅幾何紋壺                                        Metropolitan Museum of Art, New York, 2017, p. 199, no. 116, where
                                                                   the author notes that the unusual decoration, which is engraved rather
                                                                   than cast, is representative of a "rare group of bronzes" produced
                                                                   in "far southern and southwestern China," and was most likely
                                                                   influenced by bronzes of South and Southeast Asia.
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