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of the  tomb floor. The li were usually placed  upside-
                                                                          down above a guan jar, but  the  example from  M 612,
                                                                          found  in an upright position, is an  exception.
                                                                             Unlike the  much earlier painted  pottery of
                                                                          the  Yangshao Neolithic,  the  Dadianzi vessels were
                                                                          decorated  after  firing. This characteristic, which
                                                                          they share with the  painted  ware from  the  late
                                                                          Neolithic  site of Taosi (cats. 25-27) results  in a
                                                                          tendency  for the  paint to flake off,  especially when
                                                                          one  layer of paint  is applied  over another. The
                                                                          chalky white pigment  is the  most vulnerable of all.
                                                                          In the present  case, it would appear that  the  entire
                                                                          outer surface of the  vessel, with the  exception
                                                                          of the  feet, was first coated with black paint. The
                                                                          primary decoration  in white and  red was added
                                                                          subsequently, leaving a narrow line of the  under-
                                                                          lying black pigment visible along the  edges  of the
                                                                          designs.
                                                                             The image of a single eye delineated  in red  can
                                                                          be made out  above the juncture of two of the  legs,
                                                                          like those  visible on other  vessels of this type  from
                                                                               1
                                                                          M  612.  The remainder of the  decoration  seems to
                                                                          be largely a free  invention of the  artist, who has
                                                                          transformed  the  more customary bands of curling
                                                                          forms into an exuberant  assemblage of flamelike
                                                                          forms rising on the  surface, unconstrained by the
                                                                          rules of symmetry that  govern most of the  decora-
                                                                          tive schemes associated  with Dadianzi. The paint-
                                                                          ing on this vessel thus  contrasts  with the  orderly
                                                                         arrangement of patterns  seen  on the  hu (cat. 43),
                             41                                          recovered  from  the  same burial  (M 612).
                                                                            The patterns  encircling the  inner side of the
                             Painted  pottery  li  jar                   rim are more restrained  and conventional. Painted

                             Height  25 (9 Y 4)                          to a smaller scale  and meticulously  executed,  the
                             Early Bronze Age, Lower Xiajiadian Culture  configurations  of white curls, in repeated  units
                             (c. 2000-1500 BCE)                          aligned radially and  circumferentially, are outlined
                                                                         by minute black lines, ending  in dots at the  tips
                             From Dadianzi, Aohanqi, Inner Mongolia
                                                                         of the  curls.  LF-H
                             The  Institute of Archaeology CASS,  Beijing
                                                                         i  Excavated in  1977 (M 612:14); published: Zhongguo  1993,
                                                             1
                             Li vessels shaped  like the  present  example  have  129, fig.  101:1; Zhongguo  1996,  204, fig. 94:10.
                             been found in almost all the  furnished  burials at
                             Dadianzi. In the  larger and  more important burials
                             they were placed with other ceramics in the  niches
                             cut  into the  wall of the  tomb high above the  level



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