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ing upward to form the  taotie's  "crest." The alert  down. The niche also contained  other  vessels and
                            and menacing appearance  of the  face  suggests that  traces of red lacquer, jade and  stone  ornaments,
                            the  image was probably  apotropaic.         cowrie shells, and  pigs'  feet. The skeleton, estimated
                               The taotie, moreover, is accompanied  by other  to have been  about  forty years old, was poorly pre-
                            creatures. Lower down on the  right  side is another,  served; but  a staff point and thirteen  bone arrow-
                            more attenuated  face, found  amid the  swirling,  heads unearthed  nearby indicate that  it was a male.
                            vaporous lines that fill the  surface. Two sweeping  Across his shinbones was found  a lacquer gu vessel
                            S-curved shapes form the  face, one the mirror-  inlaid with turquoise. In the fill above the  tomb
                            reverse of the  other, with narrow, slanted lines rep-  chamber were the  remains of several dogs and pigs,
                            resenting  the  eyes. A second  face of the  same kind  including one pig with an arrow lodged  between  its
                            appears  below, to the  right. This particular type  cervical vertebrae and  its shoulderblades. 7  LF-H
                            of face is also seen  on one  other  vessel recovered
                            from  the  same tomb as the  lei. 3          1  Excavated in  1976 (M 371:10);  published: Zhongguo  1996,
                                                                           105,  fig.  54:1;  pi.  11,  fig.  3.
                               To the  left  of the  taotie can  be discerned  a final  2  The only other  taotie to vie in age with the  one on  the
                            figure, which reaches to the  bottom  of the  painted  Dadianzi lei is a fragmentary image carved in lacquered
                            register. The head  is rendered  only as a horizontally  wood from  Erlitou (Zhongguo Erlitou 1983,  203, fig. 9:9).
                                                                           Related images are seen on other  Dadianzi vessels; for
                            placed  C-shape with a point  at the center,  but  the  example, Zhongguo 1996,105, fig. 54:3.
                            rest  of the  form  seems humanlike, with pointed  3  Zhongguo 1996,105, fig. 54:4;  pi.  5:1.
                                                                         4  A figure of the  same type shown in profile occurs  on  an
                            shoulders, its arms bent to the  chest, and a long
                                                                           Early Shang bronze fitting from Xiaoshuangqiao accompa-
                            spinelike body, with what at the  bottom resemble  nied by a serpent  and  a tiger; see Henan 1993, 247, fig. 7:2.
                            legs drawn up  as if the figure were squatting. Wing-  5  Compare Mou 19893, 91, fig. 119.
                            like appendages  are apparently hinged to its arms. 4  6  Zhongguo Erlitou 1984, 38, fig. 5:1; pi. 4:1; Zhongguo
                                                                           Erlitou  1986, 321, fig. 6, top; pi. 7:1.
                            This figure, no less cryptic than the  taotie and  the  7  Zhongguo 1996,  56; 57, fig. 30.
                            other faces, seems to be presented as the  apparition
                            of a mysterious, almost dreamlike world.
                               The  taotie on the  lei is reminiscent of  the
                            demonic faces with large eyes seen  on the slightly
                                             5
                            older  Liangzhu jades.  The two faces on the  right
                            side, on the other  hand, compare with those  on the
                            turquoise-inlaid bronze plaques from  the  contem-
                                                    6
                            porary  site  of Erlitou  (cat. 38).  While a link almost
                            certainly exists between these  images, the  story
                            behind their transmission from  one culture to an-
                            other  remains sketchy. A satisfactory explanation is
                            also needed  for the  apparent  relationship between
                            the  endlessly twisting convolutions  forming the
                            context  for the figures on the  lei and the curvilinear
                            patterns associated  with the  Bronze Age taotie and
                            other  images, which by Anyang times become com-
                            pressed  to form the  leiwen.
                               This  lei f  in contrast  to the  other  Dadianzi ves-
                            sels exhibited here, comes from  the  burial M 371.
                            It was found in a niche  cut  into the  wall of the
                            tomb almost two meters above the  foot of the  coffin.
                            Placed  on top  of it was a // vessel resting  upside



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