Page 210 - The Golden Age of Chinese Archaeology: Celebrated Discoveries from the People’s Republic of China
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                                                                         Bronze standing figure
                                                                         Height  262  (103 'A)
                                                                         Late Shang Period (?) (c. 1300-1100  BCE?)
                                                                         From  Pit 2 at  Sanxingdui, Guanghan,
                                                                         Sichuan Province
                                                                         Sanxingdui Museum, Guanghan, Sichuan Province


                                                                         Until the  discovery of the  underground army of
                                                                         the  Qin  First Emperor (d. 210 BCE) near Xi'an  (see
                                                                         cats. 123-128), it was a commonplace that large-
                                                                         scale human sculpture did not  exist in ancient
                                                                         China. This may continue to hold true  for the
                                                                         Bronze Age cultures of northern China, but  it
                                                                         cannot  encompass the  Sanxingdui culture  of the
                                                                         Upper  Yangzi. This life-size, bronze standing  figure 1
                                                                         has become the  signature object of the  pits at
                                                                         Sanxingdui. While unique in that  context, it was
                                                                         in fact  found  among more than fifty bronze  heads
                                                                         and  more than  twenty bronze  masks, all closely
                                                                         related  in style to the  standing figure. Many of
                                                                         the  individual heads and  masks could have been
                                                                         installed on torsos  like that of the  full-scale  bronze
                                                                         example seen  here. The elite of the Sanxingdui
                                                                         culture seem to have placed great importance on
                                                                         anthropomorphic sculpture.
                                                                            The figure stands atop a large, two-part base —
                                                                         a plain cube with sloping  sides at the  bottom  with a
                                                                         small plinth supported  by four  animal heads above.
                                                                         The animal heads face outward at a diagonal to
                                                                         the plinth s corners and have exaggerated snouts, a
                                                                         row of squared  teeth in their upper  jaws, large  eyes
                                                                         in pointed  sockets, and horns or ears. The plinth
                                                                         itself features conventional Shang motifs along its
                                                                         edge: a single "eye" in  a field of squared spirals
                                                                         between  circle bands. These motifs quote Shang
                                                                         bronzes known in the  north as well as in the Middle
                                                                         Yangzi and  Gan  Yangzi regions.
                                                                            The  figure  itself, however, offers  few traits that
                                                                         can be connected so directly to the  imagery and
                                                                         styles of the  Shang. It stands squarely on two bare
                                                                         feet, and  the  elongated  body is hidden within a  full-
                                                                         length garment that masks the  shoulders, chest,
                                                                         waist, and  hips. The figure's arms are raised at right
                                                                         angles to the  torso at shoulder level; the  right is



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