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                                                                         Bronze fangding  vessel
                                                                         Height  17.8 (7)
                                                                         Middle Western Zhou Period, c. late tenth  -
                                                                         early ninth century BCE
                                                                         From Zhuangbai, Fufeng, Shaanxi Province

                                                                         Zhou Yuan Administrative Office  of Cultural Relics,
                                                                         Fufeng, Shaanxi Province

                                                                                     1
                                                                         This ding vessel  is certainly the  most  eccentric
                                                                         of all the  bronze vessels found in Hoard i. The
                                                                         cauldron  itself is oblong  in shape, roughly similar
                                                                         to  several cauldrons from  the  reigns of Kings Mu
                                                                         (r. c. 956-918 BCE) and  Gong  (r. c. 917-900 BCE),
                                                                         such as the  Dong fangding jia, recovered  from  a
                                                                         Middle Western Zhou period  tomb at Zhuangbai,
                                                                         and  the  Fifteenth-year  Jue Cao ding. The climbing
                            that show them to have been commissioned by the  dragons at the corners turn their  heads (crowned
                            grandson  of a minister who served King Gong,  by two prominent bottle-horns)  away from  the
                            putting their  date  of manufacture about the time of  vessel. The creatures  at the  corners of the  square
                            King Xiao (r. c. 8727-866 BCE). Although relatively  base extend into the  vessel's legs; they are chimeri-
                            rare on Western Zhou bronze vessels, the  wave  cal beasts, with "eyes resembling those  of a monkey,
                            pattern  proved to be very influential in later bronze  a beak like that  of an eagle, curling horns like those
                            ornamentation, especially during the  Spring and  of a ram, and  a neck like that  of a deer."  The hol-
                                                                                                        2
                                                     S
                            Autumn period  (770-476 BCE).  Its distinctive pat-
                                                                         low, square base would have held  combustible
                            tern  of continuous lines marked a shift  away  from  materials to cook or warm the  contents  of the  caul-
                            designs symmetrically arranged along a vertical axis  dron above it; at either  end  are windows that serve
                            (where two pieces  of a mold joined) toward the  sort  a utilitarian function as well as a decorative  one
                            of flowing design that encircles later  Chinese  by providing air for the fire within. The most strik-
                            bronze vessels.  ES
                                                                         ing feature of the  ding, however, is the  "gatekeeper"
                                                                         figure, which serves as a latch to close the  two doors
                            1  For this bell see Shaanxi 1980,  2: no. 54; the  bell inscrip-
                               tion is translated  in Falkenhausen i993b, 41-43.  at the  front  of the  base. He is portrayed  naked, in
                            2  For the  date  of the  Shisannian Xing hu, see Shaughnessy  a kneeling position, with his left  foot amputated.
                               1991, 255 n. 70.
                            3  For the  date  of the Xing xu, see Shaughnessy  1991,  Two other  known bronze vessels from  the  West-
                               261 n. 81.                                ern Zhou period  also feature images of a  gatekeeper
                            4  Excavated in  1976  (32); reported: Shaanxi I978b.  with an amputated  foot or leg. One, in the  Palace
                            5  See Rawson 1990,  part  1:91: "The wave pattern, with its
                               insistent  impression of movement created  by the continu-  Museum in Beijing, resembles the  vessel featured
                               ous line, and broad  areas of texture created  by concave or  here, but  the  gatekeeper  (whose left  leg is ampu-
                               relief bands, had an impact  such as none of the earlier  tated  at the  knee) is portrayed  standing,  supporting
                               designs had  achieved."                                               3
                                                                         himself with a cane  in his left  hand.  The other
                                                                         gatekeeper  vessel, a model of a cart (perhaps a
                                                                         toy) discovered in  1989  in Wenxi county (Shanxi
                                                                         province), is even more fanciful  than the Zhuangbai
                                                                         ding: the  gatekeeper  clings to one  side, while four
                                                                         birds and  a monkey perch  on the  roof of the  cart,



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