Page 255 - The Golden Age of Chinese Archaeology: Celebrated Discoveries from the People’s Republic of China
P. 255

86

                                                                                    Jade pel pectoral

                                                                                    Length  c.  150 (59  Ys)
                                                                                    Late Western Zhou Period, eighth  century BCE
                                                                                    From Tianma-Qucun (Beizhao, Quwo),
                                                                                    Shanxi Province

                                                                                    Shanxi Provincial Institute of Archaeology,
                                                                                    Taiyuan


                                                                                    This complex assembly of jade plaques  and  beads, 1
                                                                                    more than  twice as long as the  pectoral  ornament
                                                                                    described  in cat. 85, comes from  Tomb M 63, as
                                                                                    does  a bronze vessel also exhibited, cat. 90. Such
                                                                                    bronzes date to the  very end  of the  Western Zhou
                                                                                   period, around the  time of the  collapse  in 771  BCE
                                                                                    of the  Zhou kingdom and the  loss of its capital  at
                                                                                   Xi'an. While these bead-and-jade coverings similar-
                                                                                   ly date to the  eighth  century  BCE, the  constituent
                                                                                   jade carvings themselves date from  a number of
                                                                                   different  periods and  were obviously amassed over
                                                                                   a long stretch  of time.
                                                                                      Here, threads  holding short  groups of faience
                                                                                   and  agate beads join jade huang, which dominate
                                                                                   the  composition. The brown color of the  arcs is the
                                                                                   result of burial; the  arcs were originally a trans-
                                                                                   lucent gray or green. Many have a schematic animal
                                                                                   head at each end; others  carry finely incised  deco-
                                                                                   ration, which permits approximate dating of the
                                                                                   individual pieces. One such  huang displays patterns
                                                                                   typical of tenth-century BCE bronzes and jadework,
                                                                                   suggesting a date of manufacture one hundred  or
                                                                                   more years prior to the  burial itself. This huang
                                                                                   features  a pair of dragons, each with two heads  and
                                                                                   sinuous bodies that intertwine at the  center; birds
                                                                                   with long, sweeping plumes were characteristic of
                                                                                   this period, and such dragon designs may have
                                                                                   developed by analogy. Jade craftsmen  seem to have
                                                                                   adapted their designs from  contemporaneous
                                                                                   bronzework, interlacing the creatures' plumes,
                                                                                   crests, and bodies to fit the limitations of their
                                                                                   inherently smaller work surface. From such  small
                                                                                   beginnings arose an entire genre  of jade (and later,
                                                                                   bronze) design. 2
                                                                                      Many of the  jades found in Tomb M 63, like
                                                                                   those  from  Tomb M 8 (cat. 85), were originally
   250   251   252   253   254   255   256   257   258   259   260