Page 339 - The Golden Age of Chinese Archaeology: Celebrated Discoveries from the People’s Republic of China
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                      Horn carved with three  dragons              then at least  periodically, and  as early as remote
                                                                   antiquity.
                      Height  10.2  (4), diam. at  widest point 1.9 (%)  The sculpture  was discovered  in the northern
                      Middle Warring States  Period, c. second half of the
                                                                   chamber  of Tomb 2 at  Baoshan, preserved  in  a bam-
                      fourth  century  BCE (before  316)
                                                                   boo casket that contained  several items for  personal
                      From  Baoshan, Jingmen, Hubei Province
                                                                   adornment,  including a wig, four jade and bone
                      Jingzhou Prefecture Museum, Hubei Province   ornaments,  and  a tiny sculpture  of mythical animals
                                                                   carved  from  a root. The antler sculpture  likely
                      This rare piece was made  from  a single antler,  from  served  a similar function and  was perhaps  worn  on
                                                1
                      which it takes its pointed shape.  Three  dragons  are  a  hat  or  in the  hair. AT
                      carved  in the  round, their  snakelike bodies  twisting
                                                                   i  Excavated in  1987; published: Hubei  1991,1:261,
                      together into a spiral as each  bites  the  body of  fig.  174.2; 2: pi. 87.1.
                      another.  Each deeply  carved  figure  in the  composi-
                      tion is mutually independent,  secured  to the others
                      at the  points  of dramatic contact: the two larger
                      dragons  grip each  other with their front  legs; hav-
                      ing none, the  smallest dragon  must make do with
                      his mouth. This miniature sculpture  exemplifies  the
                      deep roots  of tour-de-force  work in the  Chinese
                      applied  arts; such  work was highly valued, if not
                      continuously  throughout  the  history of the  arts,



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