Page 336 - The Golden Age of Chinese Archaeology: Celebrated Discoveries from the People’s Republic of China
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                   Lacquer cabinet and  vessels                 then  drilled down the  neck and another  hole  cut
                                                                into one  side of the  object's body to permit carving
                              5
                   Height  19.6 (7 / 8), length  71.5 (28), width 25.6 (10)
                                                                                    4
                                                                of the  vessel's inner  walls.  Once finished, the  inner
                   Middle Warring States Period, c. second  half of
                                                                surface was coated with red lacquer and the  hole
                   the  fourth century  BCE (before 316)
                                                                in the  side sealed with a piece  of wood cut  to size.
                   From Baoshan, Jingmen, Hubei Province
                                                                The other  objects that  compose the  set are deeply
                   Jingzhou Prefecture Museum, Hubei Province   and  evenly carved — testimony to improvements
                                                                in the quality of tools during the  Warring States
                   This cabinet  is composed  of a body and  lid of  period. The cabinet's  outer  surface is lacquered
                                         1
                   nearly identical dimensions.  Its two short  sides  in dark brown or black; red lacquer was used for
                   are decorated  with animal masks, discernible only  the  interior. A cabinet  such as this example was
                   by their  eyes and  ears. Carved volutes, supporting  a standard  Chu product,  as were chests  for  storing
                   the  bottom  of the  chest, probably  represent  the  swords. The same repeating scroll pattern appears
                   animals' claws. On the  lid, scrolling relief  decora-  on  a variety of wooden objects; here, however, the
                   tion  (which may represent  the  scales of the  animals'  carving is exceptionally sharp and  energetically
                   skin), is repeated  in two wide bands that  cross at  drawn, testimony to the  skills of Chu  artisans. AT
                   right  angles.
                                                                1  Excavated in  1987; published: Hubei 1991,1:132-135,
                      The handles, protruding  from  both  sides of the  and  2: color pi. 6.1 and  pi. 40; Tokyo 19983, no. 38.
                   chest  at corresponding  positions on the  lid and  the  2  Hubei 1989,1:353 -  359.
                   body, suggest  the  snouts of zoomorphic animals.  3  The bottles are too small to contain beverages.
                                                                4  Tokyo 19983, 98.
                   Body and  lid would have been  secured with a
                   rope  passing through  the handles; such fastening
                   methods  date  back to  fifth-century  BCE storage
                   chests  for cloth, such as those  found  in Tomb  i at
                                     2
                   Leigudun (c. 433  BCE).  Certainly the  contents of
                   the  cabinet would have had to be secured  for travel.
                      Containers are grouped  by their intended use
                   within the  cabinet's  three  inner compartments. A
                   side-compartment contains two groups of four  erbei
                   for eating  and  drinking; two small bottles  for condi-
                        3
                   ments  are located  in the compartment  opposite,
                   and the  center  holds a large plate; extra space was
                   probably used to set food aside. Wrapped in a
                   leather bag tied  with leather ropes, the  cabinet was
                   placed in the  eastern  chamber of the tomb, to-
                   gether  with most of the  ritual bronzes and  a large
                   set  of containers  for daily use.
                      Each of the  containers, as well as each  half
                   of the  cabinet, was carved from  a single piece of
                   wood — the  most common  (as well as the  oldest)
                   technique of woodworkers of the  period.  The
                   manufacture  of the  two small bottles, whose surface
                   shows no trace  of joinery, must have presented  par-
                   ticular challenges. The first step would likely have
                   been to carve the  bottle's outer form; a hole was



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