Page 427 - The Golden Age of Chinese Archaeology: Celebrated Discoveries from the People’s Republic of China
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                              Jade dancing figure                             Her hair coiled  in a side bun, the  dancer  holds
                                                                           one arm behind  her tilted  head; the  long, hanging
                                        3
                              Height 3.5 (i / 8), width 3.5 (lYs), depth  i.o  (Ys)
                                                                           sleeve of her  robe falls behind  her back. The other
                              Western Han  Dynasty, second  century BCE
                                                                           arm  hangs downward, and the  sleeve sweeps out
                              From the  tomb of the  King of Nanyue at Xianggang,
                                                                           in a generous  hooked  curve. The woman's body is
                              Guangzhou, Guangdong Province
                                                                           slightly twisted and sharply bent: she appears to
                              The Museum of the  Western Han Tomb of the   be rising from  a kneeling position, her  feet  covered
                              Nanyue King, Guangzhou, Guandong Province    by her  robe. Vigorous grooving delineates the twist-
                                                                           ing  flow  of her  long sleeves, and  the  woman's belt,
                                                1
                              This tiny carved figure,  was found  in the  western  her  crossed  bodice, and her  features — eyes, nose,
                              chamber of the  tomb, together  with small gaming  and  mouth — are indicated by incised lines.
                              pieces, glass beads, and  the  remains of a lacquer  Jade figures of dancing women with long sleeves
                              box.  While the piercing suggests that the figure was  seem to have been  a speciality of the  Western Han
                              used  as a bead  pendant assemblage, it was not  period. The best known examples are  a pair of
                              located near pieces that would have composed  a  dancers and  two single figures in the  Freer Gallery
                              pendant set and seems to have been kept inside a  of Art, Smithsonian Institution, Washington. The
                              box with the other trinkets. Several other  dancing  paired figures have been reconstructed  as compo-
                              figures were found in other chambers of the  tomb.  nents of a pendant  set that  includes two dragon




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