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4

                                                                         Painted pottery hu jar
                                                                         Height  20.8  (8 Vs)
                                                                         Neolithic Period, Late Banpo Culture
                                                                         (c. 4000-3500  BCE)
                                                                         From Wangjiayinwa, Qin'an, Gansu Province
                                                                         Gansu Provincial Museum, Lanzhou


                                                                         This water jar, 1  like the  basin (cat. 2), was recovered
                                                                         from  one of the  late  Banpo settlements in  the
                                                                         vicinity of Qin'an, north of the  Wei River in  eastern
                                                                         Gansu province. Its painted  decoration  similarly
                                                                         reflects an advanced phase in the  evolution of the
                                                                         Banpo ceramic tradition, in which hitherto  distinct
                                                                         images, such as those  offish,  become  subsumed
                                                                         within complex, integrated  decorative schemes that
                                                                         move uninterrupted  across the surface.
                                                                            The design on the present  vessel, applied in
                                                                         a thin brown pigment, has been convincingly
                                                                         interpreted  as the  image of a pig's face, which is
                                                                                                          2
                                                                         repeated three times around the  shoulder.  The
                                                                         snout  is represented  at the  center  of each  face by
                                                                         an  oval in reserve, containing two circles that indi-
                                                                         cate the  nostrils. Two crescent  shapes, also in re-
                                                                         serve, serve as the  eyes, while the  wavy line below
                                                                         and the  angled line above represent  the jaw and
                                                                         furrowed  brow. The design is arranged so that  the
                                                                         eyes belonging to one  face are also shared with
                                                                         the  two adjacent faces. The baluster-shaped neck
                                                                         ends in a sloping upper  section, which echoes  the
                                                                         curvature of the  shoulder.  Four pairs of back-to-
                                                                         back triangles surround a circular perforation at
                                                                         the top.
                                                                            Unlike the fish on cat. 2, which had once  existed
                                                                                                           3
                                                                         as discrete and easily recognizable images,  the  pig
                                                                         seems to have been  added  to the  design  repertoire
                                                                         during the final phase  of the  Banpo tradition  and
                                                                         has no prehistory as an independent  image. The
                                                                         particular design on cat. 4 is also rare, and finds
                                                                         its single close parallel in the  designs painted  on
                                                                         the  two registers of a bottle-shaped  water container
                                                                         from  the  Banpo site of Jiangzhai, near Xi'an, in
                                                                         Shaanxi province, located  300 kilometers east of
                                                                               4
                                                                         Qin'an.  Although domesticated pigs (Sus domestica)
                                                                         and  wild boar  (Sus scrofa)  are both found among



                             63  I  YANCSHAO  CULTURE:  BANPO
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