Page 32 - Chinese Porcelain Vol I, Galland
P. 32

4              CHINESE PORCELAIN.

                                         "
          of        which took its name,              from the hill
            granite,                      lofty ridge,"
          where  it was found  ; while the other was white, hard, fusible
                that had to be          in mortars worked    water-
          quartz               pounded                    by
                 Both substances had to be washed and reduced
          power.                                                by
          suspension  and settlement  in water  to  a  paste,  which was
          moulded into cakes or bricks for  conveyance  to the  potteries.
          The kaolin  is said  to have been worked  by  four different
          families, whose names were  stamped  on their  respective  cakes.
          On arrival at the  manufactory,  these cakes had  again  to be
          ground up  with water, so that the kaolin and  pe-tun-tse might
          be mixed in                    to the
                     proportions according     paste required.  Soap-
          stone and other substitutes are said to have been used at times,
          probably  with a view to  reducing  cost more than  anything  else.
          The  glaze,  we are told, was obtained  by mixing  the ashes of a
          fern that  grew  in the  neighbourhood  with  pounded pe-tun-tse,
          thus  forming  a silicate of flint and alkali.  The  Emperor  Keen-
              sent an artist from      to make         of the whole
          lung                 Peking          drawings
          process  of the manufacture of  porcelain  as conducted at  King-
          te-chin.  These, twenty  in number, commenced with the  pro-
                of kaolin and           as also the          of the
          curing              pe-tun-tse,          preparing
          fern-ash and other  ingredients  for  making  the  glaze.  Forming
          the ware  by  lathe or mould was shown, as also the examination
          of the  paste  before  firing,  all  inequalities being  removed  by
          hand, and the  pieces  so taken off  being pounded  and worked
          into a  milky consistence, to be mixed  by  the  painters  with
          their enamel colours.  Then came the  painting  of the  pieces  in
          all  its details.  The earthen cases for  baking  the ware  in, as
                               and closed, were illustrated, and
          also the furnaces, open
                                                            finally,
                  the ware with straw and        it in tubs     for
          binding                        packing          ready
          sale, the series  ending  with the  ceremony  of the feast of the  god
          of the furnaces, whose  legend  is as follows  : Several models were
          sent from  Peking  to be  copied  at  King-te-chin,  but the  shapes
          and sizes were such that  they  defied all the efforts of the work-
          men to  reproduce  them.  The more the failures the  greater  was
          the desire of the then  emperor  to  possess  the  pieces ordered, so
          rewards were  promised  and  punishments freely administered,
          but all to no        Reduced to        one of the workmen
                      purpose.            despair,
          threw himself into the furnace and was consumed therein, but
          the ware then in course of  baking  came out  perfect  as  required
                       so the unfortunate workman became the     of
          by the palace,                                    god
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