Page 56 - Chinese Porcelain Vol I, Galland
P. 56

24             CHINESE PORCELAIN.

         of the Kishis at Kw'en Lun, her mountain home,  is one of
         the common art-motives of the older Chinese and  Japanese
         artists."  No. 11  is taken from a blue and white vase in the
                Collection at South
         Salting                  Kensington.
                           Home of the Genii.
            Mayers,  at  p. 108, gives  the  following description  of the
         home of the  genii  and their  queen,  which  it  may  be useful
                         "
         here to  quote  :  Kw'en Lun, a mountain  of Central Asia,
         widely  celebrated in Chinese  legends.  The actual  range  of
         mountains  to which  this name  is  applied,  is identified  by
         modern  geographers  with the Hindu Kush, but it is  chiefly  in
         ancient fable and Taoist  mythology  that mention of it occurs.
         The name   is found in the Shu  King,  in the ancient record
         entitled the  '  Tribute of Yu,' where it is  spoken  of  among  the
              whence the wild tribes of the West      haircloth and
         spots                                brought
         skins  ; but, at a  very early period,  the  cosmogonists  and  mystics
         appear  to have elevated it to the  position  of the central moun-
                                                                 '
         tain of the earth, and the source whence the  '  four  rivers
                                                       great
                                   '
         take their rise.  Thus, in the Shan Hai  King,'  it is  alleged  that
         Mount Kw'en Lun is 10,000 li in circumference and 11,000  li
         in          Around  its base flow the blue  river, the white
            height.
         river, the red river, and the black river.  Lieh Tsze, in his
                             based on the       of Chow Mu
         allegorical rhapsody,           legend             Wang,
         dilated on its marvels as the residence of the  queen  of the  genii,
         Si  Wang Mu, and from his   day  onward the  fabulists have
         vied with one another in fantastic          of the wonders
                                         descriptions
         of  this     abode.  Hwai Nan Tsze, with his accustomed
                 fairy
         wealth of detail, portrays  the mountain and its accessories in
         terms which have       birth to countless later fictions.  He
                          given
         says  it has walls  piled high  in ninefold  gradations,  and  upon
          it there  grow  trees and  grain.  On the west there are the tree
          of      the tree of        the tree of the silan  and the
            pearls,         jadestone,                 gem,
          tree of             On the east there are the        and
                immortality.                          sha-fang
          the  lang lean, on the south there  is the  hiang tree, and on the
          north the  and the     trees         forms of
                   pi        yao      (different        chrysoprase
          or       At its foot flows the
            jade).                    yellow water, which, after three
          windings,  returns to its source.  It is called the Tan water, and
          those who drink of it       death.  The waters of the Ho
                               escape
                          flow from the mountain, and the Weak Water
          (the yellow river)
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